Tuesday's Book Bag: New Releases for 3/7.

It's our first Book Bag for March and boy, it's a great one! Four new releases to cover today and three of them are 4+-star reviews - that's exciting! Let's get right to it, shall we?

First we have Cat Clarke's wonderful middle school/YA novel, THE PANTS PROJECT, which draws you in immediately. Liv (Olivia) was born a girl, but knows in his heart that he's a boy. But this realization isn't easy for a kid entering middle school, which can be a heartless place for anyone. What complicates things for Liv is a move to a new school, which brings a stringent dress code: girls must wear skirts. No exceptions. While Liv knows that he's a boy, the school system (and kids at school) don't see it that way. Liv is already dealing with enough, but now he feels uncomfortable everyday in his school clothes. It also doesn't help that his best friend is dropping him for a group of mean-spirited bullies who bully him on a daily basis. But Liv perseveres and comes up with an idea: Operation Pants Project. Liv is going to get this uniform dress code overturned, no matter what. This is an excellent YA novel; I found the storyline to be interesting from the very beginning, and it never wavered. Liv is a wonderful, amazing, resilient young man, and I loved him from the moment I met him. Liv's story is heartbreaking at times, but also very poignant. I see this tale as a must-read for transgender kids, but also all middle school kids, as it offers a wonderful chance to teach empathy. But, seriously, just having this story, and the way Liv expresses his thoughts on being transgender is so key. Yes, a lot of the story is probably a tad simplified, but still. It's just so refreshing to see this in book form. Overall, I loved this book, and I wish it was on the shelves of every middle school (and high school) -heck all libraries and bookstores-- everywhere! Huge portions of it make you smile, and you will find yourself just rooting for plucky, wonderful Liv and his spirit. There's a great sappy message in this book that I wish everyone could read in these troubled times. 4+ stars

Next is Amy Engel's spellbinding novel, THE ROANOKE GIRLS, a completely alluring book that took me by completely (good) surprise. Lane Roanoke is just a teenager when her mother commits suicide, and Lane is sent to live with her grandparents in Kansas. While Lane lived a sad life with her depressed, volatile mother, her wealthy grandparents represent a chance for a new start - and Lane can meet her cousin, Allegra, who is close to her age. When Lane arrives in Kansas, she quickly befriends Allegra and is amazed by the kindness of her grandfather, but she also realizes not everything is as it seems. Eleven years later, after Lane has fled the farm (and left her family there behind), Lane receives a call from her grandfather: Allegra is missing. Can she please come home? Reluctantly Lane returns to a place she vowed she'd never see again to search for her cousin, whom she has always felt bad about leaving behind. But returning only brings up bad memories, and Lane quickly worries that something terrible has happened to Allegra. This is quite the novel! The story alternates between the present-day and that fateful summer (from Lane's point of view), with a few snippets from earlier generations of the other Roanoke girls thrown in. It quickly pulls you in and never lets you go. I was immediately captivated by this novel and read it in less than 24 hours. It's not some "feel good" novel, but it's amazingly well-written. It starts off with a bombshell and then hooks you from there with the dark story of the twisted Roanoke family. There is something completely alluring about how messed up and sick the Roanokes are. I couldn't turn away from them. Overall, I was incredibly impressed with this book. Its entire plot was creepy and twisted, and it was compulsively readable, with plenty of shocking moments. Yet it also had empathetic, well-written characters. It was an amazing dark look at the power of childhood, your parents, and your past. It's a mean and twisted novel and impeccably written, because you feel such a range of emotions for its characters. One of my favorites so far this year - definitely recommend. 4.5 stars

Another dark saga of tormented families comes from Dan Chaon and his novel ILL WILL. In Chaon's tale, Dustin Tillman is a psychologist in Ohio; he's married with two sons and rarely even thinks about the horrific incident of his childhood, when his adopted brother, Rusty, murdered Dustin's parents and his aunt and uncle. Dustin was just a child then, and his brother was arrested largely on the testimony of Dustin and his cousin Kate and the 1980s' fears over satanism. But now Dustin learns that Rusty is being released from prison; his appeal has been granted, and his verdict overturned based on DNA evidence. Meanwhile, Dustin is struggling with one of his patients, Aqil, a former police officer who believes there is a link among a group of drunken college boys who have died by drowning. As more and more things start going wrong in Dustin's life, he gets drawn into Aqil's paranoia, and he threatens to bring down his family with him. This book has an interesting premise: linking two sets of crimes in the past and present, but I felt like that premise was a little forced/falsified, and I never got into the book, or the characters. As a reader, you'll probably find the way it's written either brilliant or incredibly irritating, and I fell squarely into the irritating camp. There are very abrupt chapter switches between the present and the past that are quite annoying, making it difficult to tell exactly where you are in time. Even more, the story is written quite like the characters think--which is fine in theory--for instance, this includes Dustin's tendency to just stop mid-sentence, something his family teases him about. After a bit you get somewhat used to the random sentences that end mid-thought, or the weird white spaces, but it's still strange. Other parts are the story are split into two or three parts on a page and told almost in parallel, causing you to flip back and forth to read each set. I never was quite sure of the point of that. Yes, people in the novel are going crazy and on drugs. I could get that concept and not have to flip back and forth constantly to read chunks of the story. It's one of those storytelling devices that, to me, could be amazing, but just winds up driving you slightly insane. This novel is also very dark. Again, that's fine. After all I loved the aforementioned THE ROANOKE GIRLS, which was incredibly dark. But this one: I just didn't find it that interesting. I found myself finishing it more out of a vague curiosity and duty than anything else. I figured out one of the main plot points pretty on and wasn't engaged with any of the characters. Then, after all of this, the ending is awful and vague, and there's no resolution, and I found myself just throwing the whole thing down in disgust. Definitely not one of my favorites. I can see the potential for others, but it wasn't for me. 2 stars

Finally, in this batch, we have Carol Goodman's latest, THE WIDOW'S HOUSE. In Goodman's novel, Jess and Clare Martin met at Bailey College, in the Hudson River valley, but have been living in New York for years. Jess wrote a successful first novel not long after graduation, but that money has long been spent. He's been working on his second book for ages; it's long overdue, and he needs a new muse. So the two decide to move back to the Hudson River area, where Jess can focus on the book without distractions. They take on duties as caretakers at Riven House, the home of their former college professor, Monty. They can live in a nearby cottage in exchange for helping the elderly Monty with chores. But the setup has its own issues: it's Monty, after all, who wrote a review of Jess' first book that torments him to this day. And as they settle in, Clare begins to hear a baby crying at night and see shadowy figures around the pond of Monty's property. As she investigates local history, she thinks what she sees may be tied to the house's tormented past. The locals say the place is haunted and destroys everyone who stays there. Are Clare and Jess next? You know how sometimes you start a novel and immediately know, from the first page, that you'll enjoy it? THE WIDOW'S HOUSE was that way for me. It sucked me in immediately and kept me interested throughout; I read it in about 24 hours. The book is filled with complicated characters, starting with Clare. You start to realize she's the ultimate unreliable narrator, but are never able to tell exactly how much. The entire story is told from her point of view, and we're stuck with all events being filtered through her lens. It's genius really, and it is a refreshing change from so many novels lately that change narrators and time periods. You find yourself working and guessing with Clare as she unravels local history and the events unfolding at Riven House. The novel is certainly told in the Gothic tradition. Unlike some Gothic novels, you do not have to suspend much disbelief as the creepy events unfold around Clare and Jess. There are parts of this book that are incredibly spooky, and it's quite well-done. I loved that I was frantically flipping the pages, constantly second guessing everything and wondering what was happening. There are some great twists that shock you, even as you're still trying to figure things out in you're head (much like Clare). This novel will leave you guessing. It's crazy and confusing, but fascinating and incredibly hard to put down. It's completely enjoyable and stays with you after you've finished it, going over various plot points. Highly recommend. 4.5 stars

There you have it: some excellent novels out today, and I highly recommend picking some of these up! Just don't expect to get any sleep for a couple of days!

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Tuesday's Book Bag: New Releases for 2/21.

It's been a quiet February in terms of new releases on the blog, but today we feature two novels by popular contemporary authors, Clare Mackintosh and Amanda Eyre Ward. Mackintosh became famous with her debut release, I LET YOU GO, which was an amazing and surprising thriller. Ward has published a variety of novels, but her last book, THE SAME SKY, was a very timely look at race, immigration, and the American Dream. Both works were well-written and extremely well-received, which immediately begs the question: could their next novels live up to the hype?

Clare Mackintosh's new thriller, I SEE YOU, tells the story of Zoe Walker, a busy mother of two grown children. Her partner, Simon, works for a local paper, and Zoe is divorced from her kids' father. One day, Zoe spots an ad in the classifieds that appears to feature her photo. The ad features a website and phone number, but Zoe cannot get into the password-protected site. The next day, the same ad shows a photo of another woman, and so on and so on. Meanwhile, Detective Kelly Swift is struggling to get back in the good graces of the police force after an incident derailed her career. Kelly is working a series of tube (subway)-related incidents, but she really wants to get back into real investigating. When Kelly and Zoe's paths cross, it doesn't seem as if Zoe is in any real danger, but that all changes suddenly. For me, I LET YOU GO was such an amazing novel with an amazing twist and this one didn't quite live up to my expectations. It's certainly an interesting novel with an intriguing premise, but I didn't buy the idea outside of a novel. You sort of have to suspend disbelief to allow yourself to read on with the plot: even though it's rooted in technology and our society's obsession with technology and dating, the overall construct just seems to be a stretch. The beginning portion of the novel was compelling, but slow, and I kept waiting for it to pick up. I also could see a lot of the plot pieces coming. I liked Kelly's chapters so much more and found myself a bit annoyed going back to Zoe at times - she was whiny and irritating for a while. Kelly was far more nuanced (though a bit too focused on the past), but her chapters were far better at adding suspense and tension. The novel certainly does pick up nearing the end, and I definitely wanted to find out what happened and who was responsible for what. But even then, the motivation for the "bad guy" was a bit odd and poorly done. Like a lot of the plot, it seemed a bit of a stretch. It was saved somewhat by the epilogue, which offered a good twist (although I had my suspicions), but I wasn't sure it made up for the whole book, and it didn't make me gasp like her first book. (Poor author, being held up to impossible follow-on standards.) Overall, I did find this novel puzzling, though hindered somewhat but a slightly preposterous plot. I'm glad I read it, but I certainly prefer her first novel. (I'll still eagerly await anything from Mackintosh, however!) 3 stars

In Ward's novel, THE NEARNESS OF YOU, Suzette and Hyland have a happy marriage and a busy life when Hyland surprises his wife with the news that he really wants a child. Married fifteen years, children had always been off the table, as Suzette did not want to pass on the genes of her mother, a woman who gave Suzette a horrifying and unstable childhood and eventually wound up in a mental institution. But Hyland proposes a new solution: what if they use a surrogate, with his sperm and a surrogate's egg? Suzette, a busy and successful heart surgeon, reluctantly agrees. Even though there are some red flags, the couple eventually chooses young Dorrie, a woman who wants to use the surrogate fees to go to college. Dorrie and Hyland bond, and Suzette realizes she must get on board with the idea. But soon Dorrie will make some decisions that will affect everyone in this new trio. Much like with Mackintosh, I am a bit conflicted about this novel. I so adored THE SAME SKY, which is a beautiful novel and one everyone should read in this current political climate. It's hard not to compare others to that magical book, and this one did fall short. Ward does, however, have a way of weaving stories with her words, and while I wasn't nearly as attached to the characters in this novel, I still found myself reading the last half of the book somewhat compulsively. The novel started out slow, but picked up about 1/4 through, with a twist in the plot. It's told from a shifting rotation of perspectives, including Suzette, Dorrie, and Hyland. There are some large shifts in time as the novel progresses, which did make it harder to attach to some of the characters. None of the plot twists are exactly surprise, as they are foreshadowed a bit in each character's description: this is more of a character-driven novel versus a shocking dramatic novel. Still, even though I tore through the last half of the novel, I just felt the book lacked something, and I felt a tad let down by a story and characters that weren't completely fully developed (the ending is a bit abrupt as well). I enjoyed the perspectives on motherhood that the novel offered, but felt there could be more. That's not to say the novel isn't worth reading; Ward is a wonderful writer, but I just felt a little perplexed and frustrated when this one ended. I had hoped for more. 3 stars

I'd still recommend reading both of these novels - they are interesting, even if not as diverse and fascinating as their predecessors. Happy reading, everyone! (And thanks to Netgalley for copies of these novels.)

Tuesday's Book Bag: New Releases for 1/24.

It's time for our first Book Bag of 2017! For those new to the blog, whenever I have a new release day (usually a Tuesday) with multiple new releases, I like to do a "book bag" post that highlights each new release, even if they've been reviewed individually on the blog before. It's a good chance for everyone to see some of the new and exciting titles out for release as of today.

So, here we go; today's book bag is a fun mixed bag of thrillers and fiction...

In John Lescroart's thriller FATAL, Kate and her husband Ron, have a seemingly perfect life: happily married, two kids, etc. So Kate is thrown off by her attraction to another man, Peter Ash, when she meets him at a dinner party. Unable to get Peter out her mind, Kate ignores the warnings of her friend Beth, and arranges an encounter. Shortly after that event, Kate and Beth are involved in a horrific terrorist attack, and it seems like nothing will ever be the same. This was a slightly bizarre novel that confounded me slightly with its two different tracks: one of personal angst and murder (I don't think it's a spoiler to state that shortly after the terrorist attack, Peter Ash winds up murdered) and then the terrorist attack, which seems somewhat oddly inserted into the novel's plot. Kate's friend Beth is a police detective, and for me, Beth was driving force of the book (and seriously, practically the only sane person in this story). Beth is perplexed as she tries to solve Peter's murder. For us: not really. I felt as if the suspect was fairly easily identifiable the whole time. However, Lescroart did a fairly good job as casting suspicions on someone else; at one point, I finally thought, oh, ok, maybe I really am wrong (but I wasn't). There's a whole host of characters in the novel and they are interesting, but not really as complex or intricate as Beth. Overall, I enjoyed this novel; I haven't read anything by Lescroart since some of his early Dismas Hardy books ages ago-- but I didn't find it to have an amazing "wow" factor or anything. It was an interesting, if somewhat predictable thriller, with some strange plot points thrown in. 3 stars

In another bizarre and interesting thriller, THE GIRL BEFORE, two wounded women reeling from personal issues are looking for a new apartment. For Emma, she requires a safe place after being the victim of a break-in. For Jane, it is a new place that holds no reminders of the baby she lost. For each woman, the house at One Folgate Street seems to offer exactly what they are looking for. It is designed by well-known architect, Edward Monkford, and comes with a set of rules created by the inscrutable man himself. In fact, to live at One Folgate Streets means signing off on over 200 rules, ranging from no books or personal mementos, to total tidiness, to agreeing to showing the house on architectural tours, to accepting to the intense technology that it comes with, including the house monitoring your well-being and moods. At first, the rules and clarity that come with One Folgate Street seem comforting to Emma and Jane. But as they spend more time in the house--and learn about its past, including its mysterious builder--they become terrifying and stifling. THE GIRL BEFORE is a fascinating novel told solely from the point of view of Emma, One Folgate Street's previous tenant, and Jane, its current tenant. All activities are filtered through the lens of these two women. The novel effectively builds suspense with the parallel nature of the two women's stories, but it also can get a little repetitive at times (and sometimes a little confusing, as you have to remind yourself, mostly in the beginning, who is talking). The book starts off exciting, as you are drawn into both Emma and Jane's tales while they acclimate to the house and all the oddities it offers. It starts to drag a bit halfway through as you wonder what will happen in the next half. But then, suddenly, the novel takes some odd turns and eventually grows quite interesting again with some psychological and thrilling revelations. Perhaps my favorite part about this book is that many of these developments truly surprised me, which isn't always easy to do in a thriller. Overall, this is an interesting novel. It's certainly suspenseful and different. To enjoy it, you really have to set your disbelief aside at the actual conditions of living at One Folgate Street (no books, what?!) and accept that the two women are so broken (and perhaps broke, as the house apparently comes at a great discount) that they will go along with anything. It has a lot of varied plot threads and some of them aren't always fully explored or truly necessary, which can be a little frustrating. Still, the book truly surprised me with its twists and kept me entertained, with a deep desire to get to the end. Overall, 3.5+ stars.

Switching genres a bit, in Nicola Moriarty's THE FIFTH LETTER, Joni, Eden, Deb, and Trina have been friends since high school. However, as they age, it seems the women are growing apart. Desperate to keep her friends together, Joni books a vacation house. It's been a yearly tradition for the group, and she's insistent they all keep it up. Once there, they come up with an idea: they'll write anonymous letters on an old computer at the beach cottage, and read one a night during their vacation. But the game turns dark quickly, as the women struggle to guess who wrote what letter. Even worse, Joni discovers a "fifth letter" in the fireplace; partially burned, it appears to be filled with hate toward one of the women in the group (from another). The foursome is supposed to be the best of friends, but it appears it isn't so. I feel terrible, as I really enjoy the other Moriarty sisters (Liane Moriarty and Jaclyn Moriarty), but I just didn't care for this book at all. I never found myself able to care for these four women or their problems whatsoever. The premise of the book seemed utterly ridiculous: why on earth would a group of grown women write a bunch of letters like children and if they were such good friends, how could they know so little about each other? It was painful to read. Furthermore, the book itself was difficult to read. It was set up in various ways: we had the current day thread at the beach cottage; we had threads in the past with the girls at school. Then, there's a thread where Joni is telling a priest (via confession) about what had happened at the cottage. Then we get pieces of the letters. Then we get snippets from the fifth letter. It was so utterly confusing that for parts of it, I couldn't tell who was talking, or what the dialogue related to, and it drove me insane. Pieces of the women's problems were resolved far too easily, while others were blown far too out of proportion. Others were incredibly serious and just - ugh. When the big "reveal" happened, it made me cringe. Overall, I just couldn't find any sympathy with the characters, and the way the novel was laid out irked me. 2 stars

Also out in fiction is Ellen Hopkin's THE YOU I'VE NEVER KNOWN . In Hopkins' novel, Ariel has spent her entire life drifting from place to place with her Dad, Mark. Abandoned by her Mom as a baby, Ariel and her father move often, leaving Ariel unable to form relationships and always feeling as if the latest place they touch down is just the next in a series of temporary stops. They've been living in Sonora long enough for Ariel to finish an entire year of school, and she's finally formed a few friendships. One of them is to her closest friend, Monica, to whom Ariel feels a deep friendship-- and attraction. Their friendship and potential relationship is complicated somewhat when Ariel meets Gabe, the nephew of her father's girlfriend, Zelda. Ariel is attracted to Gabe, too, and she isn't sure exactly what that means. Meanwhile, Maya is trying to escape her hateful mother, and the only out she can see is Jason Ritter, an older man in the military. But now Maya is pregnant, and married life with Jason is turning out to be scary and lonely. Told in both prose and verse, there's no doubt that Hopkins' story is often beautifully done. My biggest issue with the novel wasn't the book itself, but that the plot description reveals, in my opinion, a major spoiler that doesn't actually occur until past page 350. If you ask me, that's far too deep within the tale to reveal in the description, and I would have enjoyed figuring that twist out myself and getting there on my own. The story itself, as I mentioned, is told in various ways, and you need to be prepared for the verse, as it does take some getting used to. So, combine the verse/prose aspect and the fact that I was constantly waiting for this plot twist to happen while reading, and it took a bit to get into the book. There's definitely a lot going on this novel, but it was nice that at least Ariel's sexuality wasn't always the main focus. It was also refreshing to find a bisexual teen heroine. Overall, the book seemed to handle it fairly well, too, without so much of the usual stereotyping you can find in other novels and/or the media. I think a teen struggling with similar issues could find some comfort in this book, and that's important. For me, I wasn't completely sure that all the threads of the book were truly fully formed. I'm not completely sure how to explain that fully; it's not that I expected resolution to everything, but there were some serious topics dealt with in in the novel (beyond Ariel's sexuality) and it sometimes felt like they all got glossed over or moved past rather quickly. Bisexuality, rape, abuse... those are serious topics, and I'm not sure they got the ultimate focus they always needed. So, in the end, I find myself a bit stumped by THE YOU I'VE NEVER KNOWN. I was certainly intrigued by the book and enjoyed it. I greatly enjoyed the character of Ariel and welcomed finding her in literature. While parts of the book went on a bit for me (though perhaps that was the verse format, I'm not sure, or waiting for the aforementioned spoiler), I found it interesting. Still, in the end, something felt a tad off for me. However, much of the writing was lovely, and the storyline different and often engaging. Overall, I'd probably give this one 3.5 stars.

So there you go - quite an eclectic bunch! Let me know what you think if you pick any of these up.

Tuesday's Book Bag: New Releases for 12/27.

It's time for the last book bag of the year - how is that even possible?! It's an eclectic mix of novels, so let's get to it!

In Camilla Grebe's thriller, THE ICE BENEATH HER, a young woman is found brutally beheaded in the home of a famous businessman, Jesper Orre. The scene is chaotic and bloody and to Detective Peter Lindgren, it is eerily reminiscent of a case he and his partner, Manfred Olsson, worked 10 years ago where a male immigrant was also found beheaded. That case was never solved. Here, in present day, Jesper is mysteriously missing, and Peter and Manfred have no idea about the murdered woman's identity. So they turn to Hanne, a behavioral police consultant, who helped the police with their case ten years ago. Cut to two months earlier, where young shop worker Emma receives a marriage proposal from Jesper Orre, the enigmatic CEO of the clothing store where she works. Jesper wants to keep their relationship a secret: he's been hit hard lately by the press. Emma complies, but when Jesper never shows up for their engagement dinner, she's befuddled. As time passes, Jesper doesn't respond to Emma's texts or calls, and she becomes increasingly enraged. This was an intriguing Swedish thriller. The beginning half to three fourths of the novel kept me guessing and rather engaged. I was truly stumped and trying to figure out exactly what was happening (which doesn't always occur for me). For me, one of the hardest things with this particular novel was that I just didn't really connect or empathize with its main characters. Peter was pretty much an empty shell and not at all sympathetic. Emma was a tough one to read and to engage with. Hanne was probably my favorite, but she didn't get a lot of "air" time, so to speak. Overall, this was an interesting thriller, and I really did find the plot intriguing and well thought out, for the most part. I enjoyed reading the portions where I was scratching my head, trying to figure out how everyone was connected. It was a little less enjoyable once I deduced most of it, and I wish I had related to the characters better, or understood how their backstories were woven in to the fabric of the actual mystery. 3 stars

I found the next thriller from today's bunch a bit more tantalizing. (Isn't that a fun word?) In THE TWILIGHT WIFE, by A.J. Banner, Kyra Winthrop and her husband, Jacob, are headed to live on a remote island (in the house where Jacob grew up) to get away from it all. Kyra recently suffered a head injury in a diving accident; she hit her head on a rock and while Jacob saved her, she cannot remember the past four years of her life and is having trouble with her current ability to retain things. Kyra and Jacob hope time away, in a quiet place, will let Kyra--and her memory--heal. But once on the island, Kyra begins to remember more and more. She has no one to rely on but Jacob, who tells her much of what she remembers are only dreams. But Kyra is convinced it's more. And what about the shadowy third figure she continually recalls from their diving accident? Kyra isn't sure who to trust, even herself, as she tries to unfold her past and recall not only her accident, but who she has been for the past four years. This was a fascinating book that really took the premise of the "unreliable" narrator to a whole new level. What I enjoyed the most is that we learned the bits and pieces about Kyra's life, and who she was, just as she did. This made the novel very suspenseful and helped make up for any points where it seemed a little unbelievable or where the story felt a bit flat. I found the book captivating and basically read the second half in one sitting: it's a very fast read, and you become easily drawn into Kyra's world. The ending is a little easy and pat, but I still enjoyed watching all the pieces come together (even if I'd guessed some of them already). The novel really truly does a masterful job at creating intrigue into Kyra's past and the various parts of her life, and how she has arrived on this remote island with Jacob. It's a little eerie, a little creepy, and a little haunting. It was sort of a fun version of a Lifetime movie--one that had me hooked and enjoying the plot, versus rolling my eyes and changing the channel--and because I so enjoyed seeing everything come together and racing through the end of the book, it pushed my rating up to 4 stars. If you're looking for a quick suspense read, it's definitely worth picking this one up.

Moving away from mysteries and thrillers, our last book of the group is AMY POEPPEL's lively SMALL ADMISSIONS. In this novel, Kate Pearson is going through a rough time. She's been dumped by Robert, her incredibly handsome French boyfriend, and she turned down a spot in her grad school program, so instead of living a dream life in Paris, she's living on the couch, barely able to wash her own hair. Her friend Chloe feels responsible (Robert is her cousin, after all), her friend Vicki is just annoyed (Vicki has no patience for wallowing), and Kate's older sister Angela just wants to fix everything. She connects Kate to a lead for an interview at the admissions department at the Hudson Day School. Surprising everyone, Kate gets the job, and suddenly has to get her life together. There's no time for self-pity during admissions season, after all. Indeed, Kate finds herself drawn to her job, her new colleagues, and the various children she meets while at work. And while Kate's working non-stop, her friends are busy falling in love, feeling guilty about their role in Kate's earlier breakdown regarding Robert, and generally making a mess of things. Will Kate make her own mess at the new admissions gig as well, or is this the fresh chance she needed? I am torn somewhat on my thoughts for this book. It starts off quite witty and drew me in immediately. It's told from a multitude of perspectives, including Kate's friends (Chloe and Vicki), her sister (Angela) and Kate, and Kate's new boss, Henry. It's also interspersed with tales of several children trying to get into private school, along with the perspectives of their parents. There's definitely some nuance and depth there, but sometimes it's A LOT. A lot of characters, a lot of jumping of back and forth. I won't lie: Kate's friends certainly annoyed me at times. The side show with them can be humorous, but often just irritating. I found myself wanting more Kate. The problem with all the jumping around is that I didn't really get to know the characters as much as I wanted, which was a shame, because they were fascinating. Poeppel has done an excellent job of creating real, flawed characters, and I just wish they all received a little more face-time. Still, don't think I didn't enjoy the book, because I did. There are some wise and wonderful moments and some instances where I found myself laughing out loud. Kate is endearing, and you cannot help but rooting for her character. This book is redeemed by her and her journey. She is an inspiration. Because of her and my various feelings for this novel, my final rating falls at 3.75 stars.

Look for the next book bag in 2017 - wow! Time flies!

Tuesday's Book Bag: New Releases for 9/20.

Thrice the Brinded Cat Hath Mew'd by Alan Bradley

My rating: 4 of 5 stars


Book 8 in Alan Bradley's wondrous series picks up with Flavia returning home from Canada--no longer in boarding school--and back home among her sisters, family servants, and faithful bike, Gladys. Unfortunately, upon returning home, she is met with the news that her father is gravely ill with pneumonia. Only Flavia's pesky cousin, Undine is around to greet her. Out and about in town, Flavia runs an errand and--in true Flavia fashion-- stumbles across the body of a dead man. He appears to be the local woodcarver, and Flavia finds him hanging upside down in his home. From there, Flavia's downtrodden spirits lift immediately, as there is nothing like a dead body to return her to her true self. She sets out to solve the case before her pal, Inspector Hewitt, can, but this case will offer plenty of twists and turns, even for our young sleuth.

This novel is immediately Flavia, from the start, like picking up with an old friend. The beginning finds Flavia feeling a little lonely and sorry for herself until finding a corpse, of course. With Flavia back from Canada, it's a return to Bradley's tried and true Flavia de Luce formula, but it's certainly not trite, or tired. While the plot is a bit twisty and keeps you guessing, as always, it's Flavia who is the true star. In this book, we see our heroine growing up a bit: not just in age, but in maturity. Thankfully, though, she's still our Flavia, with her feisty spirit and deep love of chemistry. Truly, she's just a dear character and Bradley is amazing in how he captures her voice so perfectly.

These novels never fail to disappoint -- this one, as well. I will continue to highly recommend this series. This can certainly be read as a standalone, but you would be doing yourself a disservice if you don't start at the beginning of Flavia's journey.

I received a copy of this novel from the publisher and Netgalley (thank you!); it's available for U.S. publication everywhere as of 9/20/16.



You can read my review of the previous Flavia novel, AS CHIMNEY SWEEPERS COME TO DUST, here.

View all my reviews

Tuesday's Book Bag: New Releases for 9/13.

A mixed bag out today! A sweeping, expansive novel from Ann Patchett and two YA novels featuring confused, high school age male narrators. More below:

In COMMONWEALTH, it's just a fairly regular day in Southern California: the day of young Franny Keating's christening party. When her father, Fix, opens the door, he's surprised to see Albert Cousins. Fix, a cop, doesn't associate much with the DAs on his beat, and he certainly didn't invite Bert. But Bert has shown up with a bottle of gin--looking to hide from his own wife and children--and he soon joins the party, making drinks with Fix's beautiful wife, Beverly. By the end of the evening, Bert and Beverly have kissed, triggering a chain of events that will alter the lives of all involved. This is an expansive book, covering the lives of the intertwined Cousins and Keating families in a series of almost interconnected stories. They are linked, of course, and form the framework of Packer's novel, but almost seem as if they could stand on their own. They are also set against the backdrop of another Commonwealth: when Franny, then in her twenties, meets famous author Leo Posen, she tells him the many stories of her misguided family. He spins them into the tale of his novel, forcing the family to face up to some of their most awful losses and decisions in the starkness of print. Some of the chapters of COMMONWEALTH aren't always particularly exciting, but they are poignant, and there is a deepness to them. They offer an amazing insight into these families-- an almost "behind the scenes" look at five or so decades of their lives. Overall, this is a lovely book, tender in many ways, and a little heartbreaking. It's not a page-turner, but it's beautiful and leaves you thinking. 4 stars

We shift gears to high school in IT LOOKS LIKE THIS, where Mike and his family have just moved from Wisconsin to Virginia for his father's new job. Mike isn't thrilled, as he's in high school, but the family is used to doing what Mike's overbearing father desires. Quiet Mike, who loves art more than sports, doesn't fit in well with his religious family, or with a lot of the boys at his school. Quickly, he finds himself being bullied by several kids at school and pressured by his father to join a school sports team. But Mike finds comfort when he meets Sean, another kid at school, and the two become fast friends. However, other people at school have an eye on the pair's friendship, too. This book is heartbreaking, lovely gem of a LGBT book. It's difficult to read: the dialogue is all jammed together (no quotation marks, for example) and there wasn't even a space between the start of a new section of thought. Once you get used to that, it's easier to read, and you get into the flow of Mike's thoughts. Tension builds slowly, as you learn more about Mike, his life, and his inner thoughts and desires. I wish this book could be standard reading for gay youth--and their parents. It's poignant and truthful, albeit it hurt my heart in many places. I don't typically seem to read a lot of YA novels with male narrators, but this is the second I've picked up recently, and it blew the other one out of the water. I quickly grew fond of Mike, whom I wanted to take in, and I loved his spunky younger sister, Toby. Mike's never-ending need for detail grows old at times (just get on with story already), but this is still a worthy read, and certainly a great tale for LGBT youth. It definitely affected me deeply. 4 stars

We remain in the torturous world of high school for THE BOY WHO KILLED GRANT PARKER, where Luke Grayson's life turns upside when he's sent to Ashland, Tennessee his senior year of high school to live with his father and stepmother. Luke's mother no longer wants to deal with his trouble-making ways and thinks his father, a Baptist preacher who has never played a role in Luke's life, can help straighten him out. But Luke's reputation comes with him to Ashland, where he stands out as the new kid from the big city. He's too progressive for this rural Tennessee town and rapidly becomes the target of the high school's golden boy, Grant Parker, who singles Luke out and makes his life miserable. But things change quickly after a confrontation between Luke and Grant goes awry and suddenly, overnight, life in Ashland changes dramatically for Luke. I wanted to like this book, but I just never connected with it, or Luke. Having grown up and lived in small towns, I understand how truly small and exclusive they can be. But this novel just fell flat for me. I was immediately bothered by the fact that Luke's mother shipped him off for his senior year to his extremely rigid (and awful) father, despite the fact that the his greatest transgressions seemed to be a couple of silly (and harmless) pranks at his old school. I never felt any sort of connection to Luke as a character, and truly, at points, I found reading his story a little painful and thought "blah blah blah" at huge sections of text. He's a passive character, without a lot of depth to him. In fact, the only character with any true depth to her was Luke's friend, Delilah and her storyline is the only one that seems to have any heft. But she often gets lost in the shuffle. 2 stars

Tuesday's Book Bag: New Releases for 9/6.

September is clearly a good month for new books, and the 6th brings four--that's right, four--new novels! They are a mixed bag of stories and drama - check them out below:

In FAULTLINES, at 20, Jordy Cline's life should be just beginning. Instead, it seems as if he's looking at a long period in jail and a lifetime of guilt. It all begins when his mother, Sandy, receives the call every mother dreads: there's been a car accident. Jordy and his cousin, Travis, were thrown from the vehicle. Both boys are seriously injured and even worse, it looks like they were drinking. Local law enforcement seems to think Jordy was drinking and driving--a natural assumption given his history of underage drinking and Travis' usual role as the designated driver--but Jordy is insistent that he wasn't. Suddenly, Sandy finds herself fighting for her son's survival and dealing with her sister Jenna's anger over Jordy's role in the crash. This is an intricate and crazily plotted book, filled with emotional characters and various plot twists. Some of the twists are exciting and completely unexpected, making the story more than just a family drama and almost turning it into a thriller at some points. A few twists toward the end struck me as rather transparent and easily guessed. A lot of the plot points are a little outlandish and far-fetched, but it does make the book a fairly quick and exciting read. It's not exactly fun, as the subject matter is pretty heavy and horrible, dealing with the sort of topics that are hard to read as a parent. Overall, the story is an intriguing one, which will keep you guessing and reading. It speaks well to the legacy parents leave, both from a biological and environmental standpoint. It represents the power of the good ol' boy system of the South as well and is a strong tale depicting the bonds of loyalty, small town politics, and the power and pain of family. It's both emotional and enjoyable. There were a few nagging plot points that bugged me, but it was still a good, quick read. 3 stars

Next up, in LEAVE ME, Maribeth is an overworked mother of four-year-old twins. But Maribeth is so busy she doesn't even realize she's had a heart attack. Once out of the hospital, Maribeth is shocked to realize that her mother and husband seem clueless when it comes to taking care of her (and in many ways, the household). Maribeth feels overwhelmed and frustrated. Angry at her husband, Jason, she packs a bag and flees her husband and the twins, basically starting her life over in another city. Once there, Maribeth makes new friends and starts a search for her own birth mother. But obviously she has left behind unresolved issues in New York, such as her husband and family. (Minor issue, right?) There were honestly times reading this book that I felt my own heart hurting, both from Forman's realistic description of Maribeth's cardiac attack, as well as from the stressful scenario she's in. Forman does an excellent job of conveying the pressure Maribeth is under and the frustration she feels in her life--overwhelmed, alone, trapped, desperate. What mother hasn't felt that way at some point, and truly, what mother hasn't wanted to run away at times? My issue with this book is that Maribeth actually does run away. It's really hard to believe she'd actually leave her kids - not for a week or two - but for a good chunk of time (and taking a sizable chunk of her family's savings with her). But, while I really didn't agree with all of her choices (they didn't truly seem realistic), I have to admit, I found myself liking the book in spite of them. The life Maribeth creates for herself away from her family is unique and readable, and her world away is compelling. My only beef: should a woman really have to leave to try to get her spouse to appreciate all she does? I am not totally sure I agree with the message. Overall, this book is different. It's not your typical contemporary fiction, but it's certainly worth reading. 3.5 stars (and leaves you thinking).

In the romance, WHO'S THAT GIRL?, Edie's life is going along just fine, she supposes. Until the fateful day of Jack and Charlotte's wedding, when everything changes. Edie is caught in a particular transgression with the groom, Jack, and immediately everyone blames her, without knowing the full story. Since Jack, Charlotte, and Edie work together, Edie finds life at work unbearable and winds up taking an assignment from her boss in her hometown of Nottingham. There she meets famous actor (think "Game of Thrones" famous) Elliot Owen, for whom Edie must ghost write his autobiography. But things only seem to go from bad to worse, as Elliot seems a pompous, self-absorbed actor and Edie's sister and father don't exactly seem thrilled she's living back home again. Not to mention she can't show her face on social media (or in public) due to Charlotte's revengeful friends, who all hate her... will things ever go right for Edie again? Edie's quest for love is just one of the book's central themes. In many ways, she's on a journey to find herself, and only in doing so, can find love. My biggest beef was how the adults in this book acted like bullying schoolchildren. So, Edie's transgression is really so bad that she's completely ostracized and the subject of intense in-life and cyber shaming and scrutiny? It seems like high school gone really wrong. Her "friend" Louis is just awful; are people really like this?! It's a commentary on social media and cyber bullying, perhaps, but also just terrible and hard to believe at times. These are grown adults! I found myself a little too appalled and couldn't believe grown people would act this way. It's really sad if they do, honestly... However, once you get further past the wedding day and more into Nottingham, the novel picks up. Edie isn't always the most enjoyable of characters, but I did like her, as I liked Elliot. Parts of the book are just downright funny; I actually found myself laughing out loud. Edie's friends from school are particularly hilarious and a good fit for her. Her boss, too, even if he falls a bit on the dramatic side. Overall, while I found some of the characters and plot points frustrating on this one, much of it was balanced out by the charm and humor of the novel. 3.5 stars.

In our final release--also with "girl" in the title--we switch to a thriller, and in my opinion, the best of the bunch: THE PERFECT GIRL. Zoe Maisey is a genius: a piano prodigy with an amazingly high IQ. She is also a killer. When she was fourteen, Zoe was responsible for the death of three fellow teens. Now, she and her mother have started over (their "Second Chance Life") and Zoe is playing her first concert in her new life, along with her stepbrother, Lucas. But her performance is disrupted and Zoe flees the concert hall. And, by the end of the night, Zoe's mother is dead. Zoe is alone, forced to confront a new world without her protector. Plus, who is responsible for her mother's death? This book grabbed me immediately; it sucks you in from the start and doesn't let you go until it finishes, when you're exhilarated and exhausted. It's a fascinating, easy-to-read thriller with short chapters that tell us about the events surrounding the timeframe after Zoe's concert, but also going back into the past via flashbacks from the characters. We hear from Zoe, her aunt, Tessa, Tessa's husband, Richard, and Sam, Zoe's lawyer from her "previous" life. Their narratives weave flawlessly into a tense and sometimes psychologically creepy tale that has you sitting spellbound, turning pages frantically, wanting to know what happens. In theory, the action happens over a very short period of time, as Maria's killer is unveiled, but the ability to go into the past with the characters extends the time and makes you tensely await each action. Macmillan's characters are nuanced and deep--each with their own quirks, flaws, and motivations. Beyond the actual plotline of murder, there is a deep thread of discord and familial drama and angst running among our characters, who are certainly a flawed bunch. The book makes you question and ponder many things, including the topics of forgiveness, loyalty, marriage, and what really makes a family. I won't forget either the exciting story or the characters themselves for some time. Overall, while there were certainly a few things to quibble with with this one, I thoroughly enjoyed it. It was a tense but enjoyable thriller to escape into and certainly well worth the thread. 4 stars

A great group of books to start out the month!

Tuesday's Book Bag: New releases for 8/30.

Just one new release today, but it's a fun romance and certainly worth picking up before summer (*sniff sniff*) ends!

Gabi O'Brien has spent nearly her entire life at Briarwood Academy, an elite all-girls private school. She grew up there, went away to college, and then returned as a "housemother"-- living in a dorm with a group of girls who need Gabi 24/7. But when four of Gabi's girls get into major trouble, the only thing standing between them and expulsion is a four-week stay at Camp Echo. Camp Echo used to be a boy's camp for foster and needy kids, but was recently bought by Briarwood. Upon arrival, Gabi and her girls find only two employees left: its founder, the elderly Oliver, and its young handyman, Luke. The two are charged with a to-do list a mile long from Briarwood to get the camp in shape and have no interest in the plight of a group of snobby rich girls. Gabi, meanwhile, wasn't planning to spend her summer playing camp counselor and immediately finds herself in over her head, trying to care for her charges in the middle of the wilderness. Further, she realizes she's immediately attracted to Luke. The two are both fiercely independent individuals held back by their pasts. Can they get over these pasts and work together to save the four wayward girls, who desperately need them?

This novel contains the typical romance silliness with a somewhat crazy plot, but it's fun and enjoyable. Luke and Gabi's building romance is enjoyable to watch, with added drama thrown in from their four teenage charges. As I said, Gabi can be a bit frustrating, but you can't help but feel for her plight (would you want to be trapped with four angry teens in the woods?), and Luke is rather charming. The novel does an excellent job of speaking to how the past can strongly influence one person's character, as well capturing the angst that comes with class differences (think Briarwood versus foster care). It gives the romance an added depth and surprising heart.

Definitely worth picking up for a fun, romantic read! Out everywhere as of today, 8/30!

Tuesday's Book Bag: New Releases for 8/2.

Just one new release to share with you this week, but it's an excellent and powerful read. Enjoy!

Harmony by Carolyn Parkhurst

My rating: 3.5+ of 5 stars


Alexandra Hammond and her family are living in Washington DC, and on the outside, they are a typical modern family. But Alexandra and her husband, Josh, are exhausted and frustrated as parents of two children: eleven-year-old Iris and thirteen-year-old Tilly. Tilly, you see, has been diagnosed with PDD-NOS, a form of autism, and it means that Alexandra's lovely, intelligent daughter, who could read by the age of three, is also prone to violent outbursts where she yells out curse words, has an inability to control many of her thoughts and actions, and truly, just doesn't seem to fit into the mold society wishes to place our children. When yet another school kicks Tilly out, Alexandra and Josh are at a loss. So Alexandra turns to Scott Bean, a self-professed expert with "difficult" children whose seminars and private sessions she's been attending for several years now. Scott is starting Camp Harmony in New Hampshire: an isolated society for families struggling with children like Tilly, free of outside influences, electronics, harmful foods and stimulants, and most of all, free from judgement. So Alexandra and Josh do the unthinkable: they sell everything and pack up the kids and head to New Hampshire, joining Scott and two other families in making Camp Harmony work. But will it work? Can it work?

If you haven't read anything by Carolyn Parkhurst, you're missing out. She's a wonderful author, whose books are simply beautiful. My particular favorite is The Dogs of Babel, a lovely, haunting novel about a woman, her husband, and her dog that I read 10 years ago and still touches me to this day. While I wasn't as affected by this novel, it still has many flashes of the amazing brilliance of Parkhurst and her wonderful way with the written word. Her characters form before you eyes.

In Harmony, Parkhurst does an excellent job conveying Alexandra's fear and anxiety over the frightening aspects of our society and its effects on our children, and how our society has changed, with things like autism and food allergies seemingly becoming more prevalent each year. She doesn't preach, she just paints a picture with her words and Alexandra's thoughts. The book is told between alternating points of view and time periods. We hear from Alexandra in the past, telling the story of Tilly (and Iris) growing up and how things have reached this point and then we hear from Iris, in the present, at Camp Harmony.

Alexandra captures a life and marriage in moments and snapshots, with Parkhurst easily depicting the desperation that parents of children that are different feel. You can sense her terror and why she would actually consider packing up entire family and moving them to an isolated camp in the middle of nowhere, led by a man they really know nothing about.

Iris' perspective, meanwhile, is just beautiful and touching. Parkhurst wonderfully conveys her voice. There were times when I felt Iris was a bit "old" for an eleven-year-old, but I chalked a lot of that up to having a sister such as Tilly and having to grow up rather quickly. And as the book progressed, there were many moments where Iris came across as a scared, naive kid, after all. Iris' depiction of the camp-through her innocent eyes-is perfect, and she has a wonderful way of portraying her sister, where you will grow to love Tilly, as well, and understand Alexandra's fierce desire to protect both her children.

All in all, despite its serious subject matter, the book is often humorous, and I loved its portrayal of real characters and situations, even if they were all gathered in an isolated camp site in New Hampshire. My only real issue with the book was the camp's leader, Scott Bean. To me, he was the least developed character of the bunch, and while you sensed that perhaps we were hurtling toward trouble, the ending seemed a little quick and too pat for such a well-written and developed book.

Still, this book was quite well-done and certainly a must for any parent struggling with a child who feels different, or really, any parent struggling to raise a child in today's modern society. Parkhurst is a wonderful writer, and she will not disappoint with her latest. 3.5+ stars.

I received a copy of this novel from the publisher and Edelweiss - thank you!




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Tuesday's Book Bag: New Releases for 7/26.

Get ready - three great novels/thrillers come out this Tuesday. I feel like a stock analyst, shouting, "Buy, buy, buy!" but they are all worth picking up.

*The first, Heather Young's THE LOST GIRLS, takes us back to 1935, where six-year-old Emily disappears from her family's vacation lake home. Emily's doting mother is devastated, and she and her two daughters spend the rest of their lives at the lake house, waiting for Emily to return. Six decades later, only the middle sister, Lucy, is still alive. Afraid of dying without telling her story, she writes the tale down and leaves it, along with the house, to her sister's granddaughter, Justine. Justine's older daughter, Melanie, becomes interested in Emily's disappearance; her mother, Maurie, returns, bringing her usual craziness; and ghosts from Justine's own past threaten their safety. Justine doesn't know what happened at the lake sixty years ago, nor does she know if it's safe for her family now... This novel was a quick read, which pulled me into its tale immediately. The POV alternates between present-day (late 1990s and then flips back to the 1930s, as Lucy tells her story). Young does an excellent job in creating her characters: Lucy and her older sister Lilith practically jump off the page, as does little Emily. This is a somber book with serious themes; it's not always an easy read. Still, the back and forth POV works well in this case, and you'll quickly become enraptured in the past, in particular. Overall, this was a different book (in a good way), with insightful and well-drawn characters, and an intriguing plot. Lucy sticks with you, even after it's over.

*The second, Debbie Howells' THE BEAUTY OF THE END, tells us the story of Noah Calaway, a lawyer and semi-successful crime novelist who lives alone in Devon. A barely functioning alcoholic, Noah is stuck in the past, when he was in love with a beautiful girl, April Moon. Years later, Noah receives a call: April is in the hospital, nearly dead from an overdose, and even worse, she's suspected of murder. Noah makes the trip to her side, and begins sifting through the pieces of April's life, trying to figure out what happened. As he does, he uncovers a different April than the one he thought he knew--and much more. This is a suspenseful and fascinating thriller. Once you're in the groove, the book picks up speed and completely hooks you. This is a feat in itself because our main character, Noah, is not particularly likeable, a bit clueless, and really rather frustrating. The one we truly might empathize with, April, is in a coma. But somehow, Howells makes it all work. She's really a master at unfurling the suspense. Overall, I really enjoyed this one. Parts of the plot and Noah's actions certainly irked me, but the storyline was exciting and fun to read.

*The third may be my favorite of the group! In Amy Gentry's GOOD AS GONE, Anna and Tom Whitaker's lives are irrevocably changed the night their thirteen-year-old daughter, Julie, disappears. The only witness to her kidnapping is her ten-year-old sister, Jane, who watches petrified from her closest as a man takes away her sister. The broken parents remain in their home, hoping against hope that someday their daughter will return. And then, amazingly, one night the doorbell rings and there she is: Julie. And just like that, the broken family is whole. But is it? Anna simply wants her daughter back, but does she really have her? This novel hooked me from the beginning. It starts out with Julie arriving home and then we hear from Anna and some of the other characters as the family adjusts to Julie's homecoming. But we also delve into the past, which adds this amazing layer of suspense and intrigue and leaves you slightly befuddled, completely invested, and flipping pages like mad. Gentry's book is compulsively readable from a thriller standpoint, but also features emotionally damaged characters, struggling to survive after losing Julie for so long. It's not only an excellent thriller, but a nuanced portrait of a truly fractured family. Overall, this is a great thriller: a fast-paced read with a plot that will have you guessing (and gasping) and turning pages long into the night.

So there you have it folks. Go out, pick up these books, and prepare yourself for some sleepless nights, as you frantically turn pages, lost in the lives and plots of these great characters and novels!