How am I supposed to feel about the things I've done: THE CUTAWAY.

The Cutaway by Christina Kovac

My rating: 2 of 5 stars


Virginia Knightly is a busy TV news producer. She's constantly juggling a million stories, cultivating her on-air talent, and appeasing whatever news director has been currently assigned to "revamp" her station and raise ratings. It's a typical day for Virginia when she sees a flyer come across her desk for a missing woman. But something in the woman's eyes in the fuzzy black and white poster haunt Virginia, and she becomes oddly attached to the case of Evelyn "Evie" Carney, a young, married lawyer who disappeared after dining with her husband (and informing him she wanted a divorce). It seems as if the DC police are more involved in Evie's case than Virginia would expect: perhaps even the Department of Justice. What happened to Evie, and is Virginia safe looking into her disappearance?

This seems to be yet another novel where I'm a bit of the minority here, but I just could not get into this one. The premise seemed intriguing (and of course, it was compared to all the popular thrillers du jour, which really doesn't do books favors these days). At times, I almost gave up on this book, which is not like me. First of all, instead of just focusing on the plot of Evie's disappearance, there is a ton (I mean a ton) of time focused on the in-fighting and arguing at the news station, which majorly detracts from the actual mystery plot. I found it juvenile and irritating. Because of this, quickly, I didn't like or care for any of the characters or their relationships whatsoever. Unfortunately, that never really changed. So much seemed to be going on in the book (including Virginia's own personal relationships: with the lead cop investigating Evie's case, her father, the main talent at the station) but so little of it related to Evelyn and her disappearance. A lot of loose ends never seemed to be tied up. I often found myself cringing at the dialogue.

It's sad, because, at times, the actual plot relating to Evelyn is good. I continually found myself wishing there was more of it. There's also a lot of telling versus showing, but I did find myself getting into the various pieces related to Evie. (It certainly makes you hope nothing bad ever happens to you, between the issues at the police department and various levels of justice.) I enjoyed that the story was set in a familiar location for me (Washington, DC). I did guess many of the main plot points, which was a little disappointing, including something you could see coming from the beginning of the story. The whole thing is so convoluted, with so many personal entanglements thrown in, that it's hard to believe at times. Virginia's obsession over Evie's disappearance is strange, and although a rather unbelievable reason will be given near the end, you spend the entire wondering why she's so fanatical. Apparently, while working in news, Kovac covered the Chandra Levy story, and you can see that in this tale at times. This is definitely a first novel, and there are glimmers of hopes for a second. Unfortunately, this one just wasn't for me.

I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/21/2017.



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With your bright lights and your avenues so wild: THE MOST DANGEROUS PLACE ON EARTH.

The Most Dangerous Place on Earth by Lindsey Lee Johnson

My rating: 3.5 of 5 stars


Mill Valley is the perfect little town, and Molly Nicoll is excited to start a teaching career in English at the local high school. However, when she starts up mid-year, she has no idea about a tragedy that occurred in her students' eighth grade year. To Miss Nicoll, these kids are in deep need of understanding and guidance, even if they are sometimes a bit rude and unfocused. There's Abby, the perfect student prepping for her Ivy League future, but also hiding a secret; Nick, an intelligent kid with a trick for every situation; Cally, a prominent player in the early tragedy, who now floats through school with the other hippie kids; Emma, a talented dancer who loves to let go and party on the weekends; Damon, who just wants to have fun; Ryan, a popular kid who hangs with Nick and Damon; Elizabeth, the most beautiful girl in school - and the one without any friends; and Dave, who is struggling with the weight of his parents' expectations. These kids have known each other for years, and their lives are shared in every way possible - in their small town, at school, and across all forms of social media.

I'd heard a lot of advance praise for this novel, and had put it on hold at my local library ages ago. I was excited to finally get a chance to read it, but upon finishing it, was left feeling conflicted. This is going to be yet another one of those lauded novels that everyone loves where I feel a bit "eh." Don't get me wrong: this is a well-written book--even a beautiful one at times--and it often tells a compelling and sometimes frightening story of kids growing up in suburbia. The novel starts with the gang in eighth grade and goes through their senior year. It's told in snippets from various students, as well as Miss Nicoll.

The problem, for me, is that it read more like a series of interconnected short stories than a novel. We get brief insights into a variety of students, but no real depth or insight into anyone. You're able to infer a lot about each and how their home life and past has affected them, but every student's piece leaves you wanting more, feeling unfinished. Even Miss Nicoll's role sort of trails off. It's a shame, because most of the teens are so clearly written that you can visualize them so well - they each stand out on the page, and each one could have commanded the book on their own. Instead, they come and go, and at times, the plot veers off into strange side stories that seem unnecessary or unbelievable.

This is one of those novels that terrifies me to have my children grow up, because it presents high school as one never-ending saga of bullying and partying. The rich, disaffected teens are abandoned by their similarly rich and disaffected parents and no one really seems to care about anything. Still, you find yourself getting into one kids' story, only to have the point of view turn and you're thrust into another student's life instead. By the end, I found myself frustrated, wanting to know more, and wishing for more finality to, well, everything. 3.5 stars



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Tell me that you're alright: THE ARRANGEMENT.

The Arrangement: A Novel by Sarah Dunn

My rating: 3.5 of 5 stars


Lucy and Owen fled Brooklyn for the suburbs not long after their son, Wyatt, came along. In the perfect little town of Beekman, they have a beautiful old house, a yard full of chickens, and interact with a cast full of eclectic characters. Lucy also has her hands full with Wyatt, a challenging kid with autism. One evening, when some friends come over and the drinks flow freely, they mention their open marriage. At first, Lucy and Own are a bit shocked. But as the exhausted duo look around at their life, they begin to consider "the arrangement." Owen grabs a pad and a pen and they eke out some rules. It still seems like a joke, until Lucy says she wants to give the arrangement--a six-month experience where they each have an ongoing, no questions asked free pass in their marriage--a go. Surely nothing will go wrong, right?

This novel is a different, oddly intriguing read, offering an extremely realistic portrayal of marriage and raising children. Warm and fuzzy it is not, yet it's still engaging and features relatable characters. Lucy and Owen's exhaustion is palatable, as is Lucy's frustration and love for Wyatt, who is an intelligent, fun, and extremely challenging special needs kid. (You will grow to love him, even as you completely empathize with why poor Lucy might need a break--one of the definite strengths of the book.) For a good early portion of the novel, I found myself thinking I would be reading a quite grim look at parenthood and marriage. And it is, in many ways. After all, why are Lucy and Owen so willing to embark on the arrangement, you wonder? Are they bored with their life, with each other? Are they simply tired parents? What causes them to choose this? As the arrangement begins, their reactions to its ongoing presence in their lives is surprising, and Dunn does a good job at capturing some nuance in their character that you might not expect. These are real married people, with real issues.

Still, there are definitely some odd bits and pieces stuck into the story. It seems disjointed at times, and some of the characters and their stories seem to pop up at weird times, forcing you to remind yourself how they fit into Lucy and Owen's life and the town of Beekman (for we don't hear just from our main couple, but several others who live in town). The novel meanders at times, and I wouldn't call the ending closure, per se, though it falls in line with the realism of the novel.

Where Dunn shines is her humor, which slips through even some of the darker moments. Moments with Wyatt are perfectly captured. Lucy's friend, Sunny Bang, is one of the best things about this book, and you'll love every second featuring her. There's a scene at the town church with many of the local kids (and their pets) that is solely worth purchasing the entire book. Seriously, Dunn writes with a sharp wit, and it's one of the main reasons my rating upped to 3.5 stars. The book is often smartly funny and feminist, even if it has its depressing, wandering moments. It's a fascinating look at marriage, for sure, and I was certainly intrigued to see how the arrangement would play out. It was also a welcome break from all the thrillers I'd been reading lately, so thanks! If you like sharp and witty characters coupled with a psychological inside look at modern-day marriage, you'll find this one quite compelling. 3.5 stars.

I received a copy of this novel from the publisher and Netgalley (thank you) in return for an unbiased review. It is available everywhere as of 03/21/2017.

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Tuesday's Book Bag: New Releases for 2/21.

It's been a quiet February in terms of new releases on the blog, but today we feature two novels by popular contemporary authors, Clare Mackintosh and Amanda Eyre Ward. Mackintosh became famous with her debut release, I LET YOU GO, which was an amazing and surprising thriller. Ward has published a variety of novels, but her last book, THE SAME SKY, was a very timely look at race, immigration, and the American Dream. Both works were well-written and extremely well-received, which immediately begs the question: could their next novels live up to the hype?

Clare Mackintosh's new thriller, I SEE YOU, tells the story of Zoe Walker, a busy mother of two grown children. Her partner, Simon, works for a local paper, and Zoe is divorced from her kids' father. One day, Zoe spots an ad in the classifieds that appears to feature her photo. The ad features a website and phone number, but Zoe cannot get into the password-protected site. The next day, the same ad shows a photo of another woman, and so on and so on. Meanwhile, Detective Kelly Swift is struggling to get back in the good graces of the police force after an incident derailed her career. Kelly is working a series of tube (subway)-related incidents, but she really wants to get back into real investigating. When Kelly and Zoe's paths cross, it doesn't seem as if Zoe is in any real danger, but that all changes suddenly. For me, I LET YOU GO was such an amazing novel with an amazing twist and this one didn't quite live up to my expectations. It's certainly an interesting novel with an intriguing premise, but I didn't buy the idea outside of a novel. You sort of have to suspend disbelief to allow yourself to read on with the plot: even though it's rooted in technology and our society's obsession with technology and dating, the overall construct just seems to be a stretch. The beginning portion of the novel was compelling, but slow, and I kept waiting for it to pick up. I also could see a lot of the plot pieces coming. I liked Kelly's chapters so much more and found myself a bit annoyed going back to Zoe at times - she was whiny and irritating for a while. Kelly was far more nuanced (though a bit too focused on the past), but her chapters were far better at adding suspense and tension. The novel certainly does pick up nearing the end, and I definitely wanted to find out what happened and who was responsible for what. But even then, the motivation for the "bad guy" was a bit odd and poorly done. Like a lot of the plot, it seemed a bit of a stretch. It was saved somewhat by the epilogue, which offered a good twist (although I had my suspicions), but I wasn't sure it made up for the whole book, and it didn't make me gasp like her first book. (Poor author, being held up to impossible follow-on standards.) Overall, I did find this novel puzzling, though hindered somewhat but a slightly preposterous plot. I'm glad I read it, but I certainly prefer her first novel. (I'll still eagerly await anything from Mackintosh, however!) 3 stars

In Ward's novel, THE NEARNESS OF YOU, Suzette and Hyland have a happy marriage and a busy life when Hyland surprises his wife with the news that he really wants a child. Married fifteen years, children had always been off the table, as Suzette did not want to pass on the genes of her mother, a woman who gave Suzette a horrifying and unstable childhood and eventually wound up in a mental institution. But Hyland proposes a new solution: what if they use a surrogate, with his sperm and a surrogate's egg? Suzette, a busy and successful heart surgeon, reluctantly agrees. Even though there are some red flags, the couple eventually chooses young Dorrie, a woman who wants to use the surrogate fees to go to college. Dorrie and Hyland bond, and Suzette realizes she must get on board with the idea. But soon Dorrie will make some decisions that will affect everyone in this new trio. Much like with Mackintosh, I am a bit conflicted about this novel. I so adored THE SAME SKY, which is a beautiful novel and one everyone should read in this current political climate. It's hard not to compare others to that magical book, and this one did fall short. Ward does, however, have a way of weaving stories with her words, and while I wasn't nearly as attached to the characters in this novel, I still found myself reading the last half of the book somewhat compulsively. The novel started out slow, but picked up about 1/4 through, with a twist in the plot. It's told from a shifting rotation of perspectives, including Suzette, Dorrie, and Hyland. There are some large shifts in time as the novel progresses, which did make it harder to attach to some of the characters. None of the plot twists are exactly surprise, as they are foreshadowed a bit in each character's description: this is more of a character-driven novel versus a shocking dramatic novel. Still, even though I tore through the last half of the novel, I just felt the book lacked something, and I felt a tad let down by a story and characters that weren't completely fully developed (the ending is a bit abrupt as well). I enjoyed the perspectives on motherhood that the novel offered, but felt there could be more. That's not to say the novel isn't worth reading; Ward is a wonderful writer, but I just felt a little perplexed and frustrated when this one ended. I had hoped for more. 3 stars

I'd still recommend reading both of these novels - they are interesting, even if not as diverse and fascinating as their predecessors. Happy reading, everyone! (And thanks to Netgalley for copies of these novels.)

I turn my bones from the narrow grave: ILL WILL.

Ill Will by Dan Chaon

My rating: 2 of 5 stars


Dustin Tillman is a psychologist in Ohio; he's married with two sons and rarely even thinks about the horrific incident of his childhood, when his adopted brother, Rusty, murdered Dustin's parents and his aunt and uncle. Dustin was just a child then, and his brother was arrested largely on the testimony of Dustin and his cousin Kate and the 1980s' fears over satanism. But now Dustin learns that Rusty is being released from prison; his appeal has been granted, and his verdict overturned based on DNA evidence. Meanwhile, Dustin is struggling with one of his patients, Aqil, a former police officer who believes there is a link among a group of drunken college boys who have died by drowning. As more and more things start going wrong in Dustin's life, he gets drawn into Aqil's paranoia-- and he threatens to bring down his family with him.

This book had an interesting premise: linking two sets of crimes in the past and present, but I felt like that premise was a little forced/falsified, and I never got into the book, or the characters. As a reader, you'll probably find the way it's written either brilliant or incredibly irritating, and I fell squarely into the irritating camp. There are very abrupt chapter switches between the present and the past that are quite annoying, making it difficult to tell exactly where you are in time. The changes in point of view aren't as bad, allowing you to hear from Dustin, his son, and others, but it still gets confusing quickly. (Sidebar: doesn't anyone just tell a linear story from one person's point of view anymore?)

Even more, the story is written quite like the characters think--which is fine in theory--for instance, this includes Dustin's tendency to just stop mid-sentence, something his family teases him about. After a bit you get somewhat used to the random sentences that end mid-thought, or the weird white spaces, but it's still strange. Other parts are the story are split into two or three parts on a page and told almost in parallel, causing you to flip back and forth to read each set. I never was quite sure of the point of that. Yes, people in the novel are going crazy and on drugs. I could get that concept and not have to flip back and forth constantly to read chunks of the story. It's one of those storytelling devices that, to me, could be amazing, but just winds up driving you slightly insane.

This novel is also very dark. Again, that's fine. I just finished The Roanoke Girls, which was incredibly dark, and loved it. But this one: I just didn't find it that interesting. I found myself finishing it more out of a vague curiosity and duty than anything else. I figured out one of the main plot points pretty on and wasn't engaged with any of the characters. Then, after all of this, the ending is awful and vague, and there's no resolution, and I found myself just throwing the whole thing down in disgust. Definitely not one of my favorites. I can see the potential for others, but it wasn't for me.

I received a copy of this novel from the publisher and Netgalley (thank you) in return for an unbiased review. It is available everywhere as of 03/07/2017.



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You thought God was an architect: THE GIRL WITH A CLOCK FOR A HEART.

The Girl with a Clock for a Heart by Peter Swanson

My rating: 3 of 5 stars


George Foss is enjoying drinks with his on-again, off-again girlfriend, Irene, in a Boston bar when he is convinced he has spotted his college girlfriend, Liana. When George returns later that evening, his suspicions are confirmed. George hasn't seen Liana for twenty years, since she disappeared in a cloud of uncertain (and illegal) circumstances after their first semester freshmen year. As such, he knows that Liana has probably been on the run for the entire period. She quickly asks George for help, and he finds himself embroiled again in Liana's drama. Immediately, he wonders if his safety (and hers) is at sake.

This is the second book I've read by Swanson now, and I've liked them both well-enough, but haven't been overly impressed with either. So many people seem to love him, so I was kind of disappointed that I didn't enjoy this one more. I never connected with any of the characters, and the book just sort of meandered about, taking a while to get to its various points. Yes, it certainly has some twists and turns, and some "aha" moments, but I was always waiting for some big shocking moment that never came. Instead, the plot was rather straightforward. George was a rather spineless creature who seemed to get into trouble easily, while Liana was never fully fleshed out. I would have liked to learned more about her - besides the fact that she was "heartless."

Overall, while I found the plot for this one intriguing, it didn't wow me, and I don't think this one will stay with me very long.

I received this novel via a Goodreads Giveaway in return for an unbiased review - thank you!

You can read my review of Swanson's novel HER EVERY FEAR here.



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I think I'm stuck in some bad dream: THE ROANOKE GIRLS.

The Roanoke Girls by Amy Engel

My rating: 4.5 of 5 stars


Lane Roanoke is just a teenager when her mother commits suicide, and Lane is sent to live with her grandparents in Kansas. While Lane lived a sad life with her depressed, volatile mother, her wealthy grandparents represent a chance for a new start - and Lane can meet her cousin, Allegra, who is close to her age. When Lane arrives in Kansas, she quickly befriends Allegra and is amazed by the kindness of her grandfather, but she also realizes not everything is as it seems.

Eleven years later, after Lane has fled the farm (and left her family there behind), Lane receives a call from her grandfather: Allegra is missing. Can she please come home? Reluctantly Lane returns to a place she vowed she'd never see again to search for her cousin, whom she has always felt bad about leaving behind. But returning only brings up bad memories, and Lane quickly worries that something terrible has happened to Allegra. Can Lane face her fears and figure out what happened to her cousin?

This book, oh this book. Wow. This is quite the novel! The story alternates between the present-day and that fateful summer (from Lane's point of view), with a few snippets from earlier generations of the other Roanoke girls thrown in. It's slightly confusing at first (you'll need easy access to the family tree at the beginning of the book), but quickly pulls you in and never lets you go. I was immediately captivated by this novel and read it in less than 24 hours. It's not some "feel good" novel, but it's amazingly well-written and just spellbinding. It starts off with a bombshell and then hooks you from there with the dark story of the twisted Roanoke family.

There is something completely alluring about how messed up and sick the Roanokes are. I couldn't turn away from them. The book is great because you become quickly intrigued and invested in the story of what happened to Allegra, but there's also a bit of suspense to the "then" storyline as Lane finds out something terrible about her family. Engel is remarkably talented because we know the secret already, and Lane knows it in the present-day portion of the book, but it's still enthralling watching it unravel as she's a teen. There's also just a pure fascination and horror at this family. There are also periodic shockers throughout the entire novel and several "wow" and "didn't see that coming" moments for me. The whole thing is extremely well-done.

I was extremely impressed by Engel's characters. For instance, Lane is a broken and damaged person who cannot trust or love. As such, she is frustrating with her guarded heart but still sympathetic. She drove me crazy, but I loved her. Engel did an excellent job with all of these characters. Even those that seemed (or were) absolutely awful; they all seemed so real. She also did a great job at portraying small towns and their tangled web of secrets. The broken Kansas town where the Roanokes lived was expertly done, with all of its bit characters and the descriptions of its streets and happenings.

Overall, I was incredibly impressed with this book. Its entire plot was creepy and twisted, and it was compulsively readable, with plenty of shocking moments. Yet it also had empathetic, well-written characters. It was an amazing dark look at the power of childhood, your parents, and your past. It's a mean and twisted novel and impeccably written, because you feel such a range of emotions for its characters. Definitely recommend.

I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/07/2017.



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You're like a fever that I'm coming down with: YOU.

You by Caroline Kepnes

My rating: 4 of 5 stars


Joe Goldberg works in a bookstore in New York. One day, a gorgeous girl walks into his store, and Joe is immediately transfixed. She charms Joe in their brief encounter and so he searches for the name he saw when he swiped her credit card. He lucks out, easily finding Guinevere Beck all over the Internet. In fact, she seems to live a great deal of her life publicly on Facebook and Twitter, allowing Joe to digitally watch her from afar. But quickly, Joe begins to actually watch "Beck," as he learns she is called: hiding outside her apartment and eventually arranging a chance encounter. Beck and Joe's lives quickly become entwined, as Joe becomes more and more obsessed with his perfect girl. Beck thinks Joe could be the ideal boyfriend, and he's determined to be just that: no matter what it takes.

Oh my, I have some mixed feelings about this book, but ultimately wound up rating it 4 stars simply because I just couldn't put it down, and I don't think I will stop thinking about it anytime soon. I actually found myself feeling suspicious of other people during and after reading it, as if being watched -- that's how good Kepnes was at weaving her tale of stalking and obsession. Joe is a fascinating character, and you become almost immediately sucked into his delusions. The book is told from his point of view, and it's written as if he's speaking directly to Beck. Once you become used to that, it's compulsively readable.

This is not a book full of characters with whom you will love and empathize. Now I admit that there were times that Joe felt so normal that you forgot he's basically batshit insane, and sometimes Beck herself (the victim, you have to remind yourself) is pretty terrible, too. This is a book about awful people doing terrible things to everyone in their lives. It's dirty (Joe's brain is not a pretty place) and dark, so dark. It dragged a little bit for me about 3/4 through (it's a pretty long book), but picked up very quickly as it neared the end.

In the end, I found this book to be amazingly intense. I continued to have complicated feelings for Joe up until the last pages. The novel is certainly a warning about our digital age and how easy it is to have your digital footprint (and subsequent actual life) invaded. It's also a twisted story of obsession. It will keep you turning the pages late into the night (with the curtains CLOSED).



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Playing your story in fits and starts: THE PANTS PROJECT.

The Pants Project by Cat Clarke

My rating: 4 of 5 stars


Liv (Olivia) was born a girl, but knows in his heart that he's a boy. But this realization isn't easy for a kid entering middle school, which can be a heartless place for anyone. What complicates things for Liv is a move to a new school, which brings a stringent dress code: girls must wear skirts. No exceptions. Whatsoever. Liv knows in his heart that he's a boy, but the school system (and kids at school) don't see it that way. Liv is already dealing with enough, but now he feels uncomfortable everyday in his school clothes. It also doesn't help that his best friend is dropping him for a group of mean-spirited bullies who bully Liv on a daily basis. But Liv perseveres and comes up with an idea: Operation Pants Project. Liv is going to get this uniform dress code overturned, no matter what.

This is an excellent YA novel that draws you in immediately. I found the storyline to be interesting from the very beginning, and it never wavered. Liv is a wonderful, amazing, resilient young man, and I loved him from the moment I met him. Liv's story is heartbreaking at times, but also very poignant. I see this tale as a must-read for transgender kids, but also all middle school kids, as it offers a wonderful chance to teach empathy. But, seriously, just having this story, and the way Liv expresses his thoughts on being transgender is so key. Yes, a lot of the story is probably a tad simplified, but still. It's just so refreshing to see this in book form.

Liv also has same-sex parents (two mothers) for which he is teased at school, which breaks my heart (being part of a same-sex marriage and having two young daughters). So much of the story hurts your heart at times and makes you just despair how much young kids have to go through at school. Liv meets a new friend in middle school, Jacob, and in reading this book, I just hope that the world continues to be filled with more Liv and Jacobs: it will make it a better place for sure. (I also enjoyed that Clarke seemed to insert an inside joke about how awful and cliche lesbian films can be!)

Overall, I loved this book, and I wish it was on the shelves of every middle school (and high school) -heck all libraries and bookstores-- everywhere! Huge portions of it make you smile, and you will find yourself just rooting for plucky, wonderful Liv and his spirit. There's a great sappy message in this book that I wish everyone could read in these troubled times. Liv has a wonderful sense of humor, and Clarke's writing is perfect for the targeted age group. I do think a great deal is this book is probably a little simplified (not all parents may be as supportive of Liv, for instance), but the bullying aspects at school are spot-on. Just seeing a transgender "tween" in print is great. I would like to see a list of support resources at the end of the book (and I just read an ARC, so it's not the final version) for those who do not have the same support system as Liv. Yes, this book goes a long way toward showing acceptance, but it's not as easy for everyone. I certainly hope it inspires kids to treat everyone equally: it's an important message. I definitely recommend this wonderful novel for kids and adults alike.

I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 03/01/2017.



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Everything is so benign: I SEE YOU.

I See You by Clare Mackintosh

My rating: 3 of 5 stars


Zoe Walker is a busy mother of two grown (but still living at home) children. Her partner, Simon, works for a local paper, and Zoe is divorced from her kids' father, Matt. She's tired trying to always make ends meet. One day, Zoe spots an ad in the classifieds that appears to feature her photo. The ad features a website and phone number, but Zoe cannot get into the password-protected site. The next day, the same ad shows a photo of another woman, and so on and so on. Meanwhile, Detective Kelly Swift is struggling to get back in the good graces of the police force after an incident derailed her career. Kelly is working a series of tube (subway)-related incidents, but she really wants to get back into real investigating. When Kelly and Zoe's paths cross, it doesn't seem as if Zoe is in any real danger, but that all changes suddenly.

I absolutely adored Mackintosh's first novel, I Let You Go - it was one of my favorite novels in 2015. It features an amazing twist and a well-written plot. I obviously had high expectations for her sophomore novel. Unfortunately, for me, this one didn't quite live up to my expectations. It's certainly an interesting novel with an intriguing premise, but I didn't buy the premise outside of a novel. You sort of have to suspend disbelief to allow yourself to read on with the plot: even though it's rooted in technology and our society's obsession with technology and dating, the overall construct just seems to be a stretch. The beginning portion of the novel was compelling, but slow, and I kept waiting for it to pick up. I also could see a lot of the plot pieces coming.

The novel alternates between chapters from Zoe's point of view and Kelly's. I liked Kelly's chapters so much more and found myself a bit annoyed going back to Zoe at times - she was whiny and irritating for a while. Kelly was far more nuanced (though a bit too focused on the past), but her chapters were far better at adding suspense and tension. The novel certainly does pick up nearing the end, and I definitely wanted to find out what happened and who was responsible for what.

But even then, the motivation for the "bad guy" was a bit odd and poorly done. Like a lot of the plot, it seemed a bit of a stretch. It was saved somewhat by the epilogue, which offered a good twist (although I had my suspicions), but I wasn't sure it made up for the whole book, and it didn't make me gasp like her first book. (Poor author, being held up to impossible follow-on standards.) Overall, I did find this novel puzzling, though hindered somewhat but a slightly preposterous plot. I'm glad I read it, but I certainly prefer her first novel. (I'll still eagerly await anything from Mackintosh, however!)

I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review. It is available everywhere as of 02/21/2017.



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Quick someone call the girl police: THE GIRL WITH THE LOWER BACK TATTOO.

The Girl with the Lower Back Tattoo by Amy Schumer

My rating: 4 of 5 stars


Amy Schumer's book comes out at a time when it seems like every celebrity in the world has a book out: some collection of essays about their life, showcasing how funny they are and what their life like as a celebrity. In Schumer's, we hear about her life from childhood to her post Trainwreck success and nearly everything in between: her friendships, her relationships, her parents, and her growth as a comedian. And, of course, a lot about sex. The book is told in a series of chapters - essays if you will - each one covering a particular moment in Schumer's life. They don't go in any particular order, but cover the gamut of her range of experiences.

I found this book to be a refreshing and engaging celebrity book. It carried a surprising depth. I don't know a ton about Schumer, but loved Trainwreck and have had a crush on her for ages. That crush has only intensified upon reading her book, as I discovered several similarities between us: introverts who love hotdogs and have complicated relationships with their mothers, who both internalize stress to the point where it makes us sick. We're a match made in heaven! But, seriously, Schumer is an excellent writer, and her book is an easy read, with well-written and wonderful essays that range from humorous to serious (and often both).

Her book avoided all of my usual celebrity autobiography/memoir/essay pet peeves. In this book, we really learn about Schumer, instead of just a few token stories. I was fascinated to hear about her career trajectory: you get a great look into how hard she worked in her early years as a comedian. In addition, we actually get a lot of insight into her early life-- her childhood and teenage years. What I love is that she comes across as a real human being, instead of giving us a book that is simply full of polished, trite jokes and well-worn stories.

In fact, while parts of the book make you laugh out loud, other places make you empathize with Schumer. The book is funny, but not too funny or fake funny. And it's serious without preaching. She covers topics such as sexual assault, gun control, her father's MS, her relationship with her parents, and other serious childhood experiences that molded her, with a realism that is refreshing. Sure, there are a few "woe is me" moments about how hard it is to be a celebrity, or what it's like to have money, but they are few and far between. By the end, I admired Amy even more as a person and a comedian, and my crush will continue on stronger than ever.



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I like to flip through all my pages of past: THE NEARNESS OF YOU.

The Nearness of You by Amanda Eyre Ward

My rating: 3 of 5 stars


Suzette and Hyland have a happy marriage and a busy life when Hyland surprises his wife with the news that he really wants a child. Married fifteen years, children had always been off the table, as Suzette did not want to pass on the genes of her mother, a woman who gave Suzette a horrifying and unstable childhood and eventually wound up in a mental institution. But Hyland proposes a new solution: what if they use a surrogate, with his sperm and a surrogate's egg? Suzette, a busy and successful heart surgeon, reluctantly agrees. Even though there are some red flags, the couple eventually chooses young Dorrie, a woman who wants to use the surrogate fees to go to college. Dorrie and Hyland bond, and Suzette realizes she must get on board with the idea. But soon Dorrie will make some decisions that will affect everyone in this new trio.

I am a bit conflicted about this novel. Ward wrote The Same Sky, which is a beautiful novel and one everyone should read in this current political climate. It's hard not to compare others to that magical book, and this one did fall short. She does, however, have a way of weaving stories with her words, and while I wasn't nearly as attached to the characters in this novel, I still found myself reading the last half of the book somewhat compulsively.

The novel started out slow, but picked up about 1/4 through, with a twist in the plot. It's told from a shifting rotation of perspectives, including Suzette, Dorrie, and Hyland. There are some large shifts in time as the novel progresses, which did make it harder to attach to some of the characters. None of the plot twists are exactly surprise, as they are foreshadowed a bit in each character's description: this is more of a character-driven novel versus a shocking dramatic novel. Still, even though I tore through the last half of the novel, I just felt the book lacked something, and I felt a tad let down by a story and characters that weren't completely fully developed (the ending is a bit abrupt as well). I enjoyed the perspectives on motherhood that the novel offered, but felt there could be more. That's not to say the novel isn't worth reading; Ward is a wonderful writer, but I just felt a little perplexed and frustrated when this one ended. I had hoped for more.

I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 02/21/2017.



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And I return as chained and bound to you: THE CLAIRVOYANTS.

The Clairvoyants by Karen Brown

My rating: 3 of 5 stars


Martha has had an interesting childhood and upbringing. As a young girl, she saw the ghost of her aunt, a nun, in her grandfather's barn. As a teen, the dead frequently appeared to Martha, though she rarely knew what to do with these apparitions. Also in her teen years, Martha's younger sister, Del, wound up sent to an institution. Incredibly close as children, Del's slow decent into some sort of madness haunted Martha. So she decides to depart her family's farm and move inland to college. Once in Ithaca, Martha falls in love, is reunited with Del, and frequently sees the ghost of Mary Rae, a missing woman from a neighboring town, who stands beneath Martha's window for hours, wearing her coat and with her hair covered in ice. Martha had hoped to escape the dead in Ithaca, but it seems like somehow everything is going to converge on her nonetheless.

This book was not at all what I had expected; it's less a supernatural thriller and more a literary treatise as we watch Martha deal with the events in her life. The chapters switch between present-day in Ithaca and flashbacks to Martha's life growing up. Sometimes it's a little confusing, but also quite interesting. I had expected the book to be more of a mystery as we try to figure out what happened to Mary Rae, but honestly, it's pretty apparent from the beginning who is responsible for her disappearance, even if the "how" is unknown. Still, the book is incredibly suspenseful and very compelling; I found myself trying to read it every chance as I had.

The psychological/mystical aspect isn't really as much at play here as you'd think from the summary, but that's okay. I didn't find it as creepy as some of the other reviews, but as I stated, still very spellbinding. There's an "aha moment" when you're reading and things come together that is masterfully done. While I wasn't in love with the character of Martha, I was intrigued by both she and Del, and I found all of the characters to be fascinating and intricate in their own way. The ending was a little quick for me, but somewhat redeemed by one particular portion (don't want to give away a spoiler). Overall, this was a different book--unlike ones I typically read--and while I didn't find it amazing, it was an engrossing and suspenseful novel. 3.5 stars.



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Tuesday's Book Bag: New Releases for 1/24.

It's time for our first Book Bag of 2017! For those new to the blog, whenever I have a new release day (usually a Tuesday) with multiple new releases, I like to do a "book bag" post that highlights each new release, even if they've been reviewed individually on the blog before. It's a good chance for everyone to see some of the new and exciting titles out for release as of today.

So, here we go; today's book bag is a fun mixed bag of thrillers and fiction...

In John Lescroart's thriller FATAL, Kate and her husband Ron, have a seemingly perfect life: happily married, two kids, etc. So Kate is thrown off by her attraction to another man, Peter Ash, when she meets him at a dinner party. Unable to get Peter out her mind, Kate ignores the warnings of her friend Beth, and arranges an encounter. Shortly after that event, Kate and Beth are involved in a horrific terrorist attack, and it seems like nothing will ever be the same. This was a slightly bizarre novel that confounded me slightly with its two different tracks: one of personal angst and murder (I don't think it's a spoiler to state that shortly after the terrorist attack, Peter Ash winds up murdered) and then the terrorist attack, which seems somewhat oddly inserted into the novel's plot. Kate's friend Beth is a police detective, and for me, Beth was driving force of the book (and seriously, practically the only sane person in this story). Beth is perplexed as she tries to solve Peter's murder. For us: not really. I felt as if the suspect was fairly easily identifiable the whole time. However, Lescroart did a fairly good job as casting suspicions on someone else; at one point, I finally thought, oh, ok, maybe I really am wrong (but I wasn't). There's a whole host of characters in the novel and they are interesting, but not really as complex or intricate as Beth. Overall, I enjoyed this novel; I haven't read anything by Lescroart since some of his early Dismas Hardy books ages ago-- but I didn't find it to have an amazing "wow" factor or anything. It was an interesting, if somewhat predictable thriller, with some strange plot points thrown in. 3 stars

In another bizarre and interesting thriller, THE GIRL BEFORE, two wounded women reeling from personal issues are looking for a new apartment. For Emma, she requires a safe place after being the victim of a break-in. For Jane, it is a new place that holds no reminders of the baby she lost. For each woman, the house at One Folgate Street seems to offer exactly what they are looking for. It is designed by well-known architect, Edward Monkford, and comes with a set of rules created by the inscrutable man himself. In fact, to live at One Folgate Streets means signing off on over 200 rules, ranging from no books or personal mementos, to total tidiness, to agreeing to showing the house on architectural tours, to accepting to the intense technology that it comes with, including the house monitoring your well-being and moods. At first, the rules and clarity that come with One Folgate Street seem comforting to Emma and Jane. But as they spend more time in the house--and learn about its past, including its mysterious builder--they become terrifying and stifling. THE GIRL BEFORE is a fascinating novel told solely from the point of view of Emma, One Folgate Street's previous tenant, and Jane, its current tenant. All activities are filtered through the lens of these two women. The novel effectively builds suspense with the parallel nature of the two women's stories, but it also can get a little repetitive at times (and sometimes a little confusing, as you have to remind yourself, mostly in the beginning, who is talking). The book starts off exciting, as you are drawn into both Emma and Jane's tales while they acclimate to the house and all the oddities it offers. It starts to drag a bit halfway through as you wonder what will happen in the next half. But then, suddenly, the novel takes some odd turns and eventually grows quite interesting again with some psychological and thrilling revelations. Perhaps my favorite part about this book is that many of these developments truly surprised me, which isn't always easy to do in a thriller. Overall, this is an interesting novel. It's certainly suspenseful and different. To enjoy it, you really have to set your disbelief aside at the actual conditions of living at One Folgate Street (no books, what?!) and accept that the two women are so broken (and perhaps broke, as the house apparently comes at a great discount) that they will go along with anything. It has a lot of varied plot threads and some of them aren't always fully explored or truly necessary, which can be a little frustrating. Still, the book truly surprised me with its twists and kept me entertained, with a deep desire to get to the end. Overall, 3.5+ stars.

Switching genres a bit, in Nicola Moriarty's THE FIFTH LETTER, Joni, Eden, Deb, and Trina have been friends since high school. However, as they age, it seems the women are growing apart. Desperate to keep her friends together, Joni books a vacation house. It's been a yearly tradition for the group, and she's insistent they all keep it up. Once there, they come up with an idea: they'll write anonymous letters on an old computer at the beach cottage, and read one a night during their vacation. But the game turns dark quickly, as the women struggle to guess who wrote what letter. Even worse, Joni discovers a "fifth letter" in the fireplace; partially burned, it appears to be filled with hate toward one of the women in the group (from another). The foursome is supposed to be the best of friends, but it appears it isn't so. I feel terrible, as I really enjoy the other Moriarty sisters (Liane Moriarty and Jaclyn Moriarty), but I just didn't care for this book at all. I never found myself able to care for these four women or their problems whatsoever. The premise of the book seemed utterly ridiculous: why on earth would a group of grown women write a bunch of letters like children and if they were such good friends, how could they know so little about each other? It was painful to read. Furthermore, the book itself was difficult to read. It was set up in various ways: we had the current day thread at the beach cottage; we had threads in the past with the girls at school. Then, there's a thread where Joni is telling a priest (via confession) about what had happened at the cottage. Then we get pieces of the letters. Then we get snippets from the fifth letter. It was so utterly confusing that for parts of it, I couldn't tell who was talking, or what the dialogue related to, and it drove me insane. Pieces of the women's problems were resolved far too easily, while others were blown far too out of proportion. Others were incredibly serious and just - ugh. When the big "reveal" happened, it made me cringe. Overall, I just couldn't find any sympathy with the characters, and the way the novel was laid out irked me. 2 stars

Also out in fiction is Ellen Hopkin's THE YOU I'VE NEVER KNOWN . In Hopkins' novel, Ariel has spent her entire life drifting from place to place with her Dad, Mark. Abandoned by her Mom as a baby, Ariel and her father move often, leaving Ariel unable to form relationships and always feeling as if the latest place they touch down is just the next in a series of temporary stops. They've been living in Sonora long enough for Ariel to finish an entire year of school, and she's finally formed a few friendships. One of them is to her closest friend, Monica, to whom Ariel feels a deep friendship-- and attraction. Their friendship and potential relationship is complicated somewhat when Ariel meets Gabe, the nephew of her father's girlfriend, Zelda. Ariel is attracted to Gabe, too, and she isn't sure exactly what that means. Meanwhile, Maya is trying to escape her hateful mother, and the only out she can see is Jason Ritter, an older man in the military. But now Maya is pregnant, and married life with Jason is turning out to be scary and lonely. Told in both prose and verse, there's no doubt that Hopkins' story is often beautifully done. My biggest issue with the novel wasn't the book itself, but that the plot description reveals, in my opinion, a major spoiler that doesn't actually occur until past page 350. If you ask me, that's far too deep within the tale to reveal in the description, and I would have enjoyed figuring that twist out myself and getting there on my own. The story itself, as I mentioned, is told in various ways, and you need to be prepared for the verse, as it does take some getting used to. So, combine the verse/prose aspect and the fact that I was constantly waiting for this plot twist to happen while reading, and it took a bit to get into the book. There's definitely a lot going on this novel, but it was nice that at least Ariel's sexuality wasn't always the main focus. It was also refreshing to find a bisexual teen heroine. Overall, the book seemed to handle it fairly well, too, without so much of the usual stereotyping you can find in other novels and/or the media. I think a teen struggling with similar issues could find some comfort in this book, and that's important. For me, I wasn't completely sure that all the threads of the book were truly fully formed. I'm not completely sure how to explain that fully; it's not that I expected resolution to everything, but there were some serious topics dealt with in in the novel (beyond Ariel's sexuality) and it sometimes felt like they all got glossed over or moved past rather quickly. Bisexuality, rape, abuse... those are serious topics, and I'm not sure they got the ultimate focus they always needed. So, in the end, I find myself a bit stumped by THE YOU I'VE NEVER KNOWN. I was certainly intrigued by the book and enjoyed it. I greatly enjoyed the character of Ariel and welcomed finding her in literature. While parts of the book went on a bit for me (though perhaps that was the verse format, I'm not sure, or waiting for the aforementioned spoiler), I found it interesting. Still, in the end, something felt a tad off for me. However, much of the writing was lovely, and the storyline different and often engaging. Overall, I'd probably give this one 3.5 stars.

So there you go - quite an eclectic bunch! Let me know what you think if you pick any of these up.

I let your love in, I have the scar: SAVING SOPHIE.

Saving Sophie by Sam Carrington

My rating: 3 of 5 stars


Karen and Mike Finch are upset and appalled when their seventeen-year-old daughter, Sophie, is brought home by the police. She was found drunk and wandering lost and confused around town. But Karen is also concerned and feels as if something is off: Sophie has no memories of most of the evening, and one of her friends, Amy, still hasn't returned home by morning. An agoraphobic thanks to an attack two years ago, the events with Sophie trigger Karen's intense anxiety. And soon, the Finch family will find themselves embroiled in a dark series of events that may threaten their own safety and sanity.

This was a strange novel. It definitely sets up with a well-done twist that hooks you. However, it then sort of slows down a bit, and it is burdened by some very strange and unbelievable storylines. For me, I found that I really didn't like or have a lot of sympathy for anyone in the Finch family, even with all they had been through. Sophie was a rather hateful teenager, who treated her parents with complete disdain, and she showed very little rationale in her decision-making. Karen's endless musings went on too much, and she was even worse in the decision area. And Mike was just hateful and rude. Sophie and her friends just seemed clueless and really hateful in their actions (without giving away too much).

Overall, the book was definitely engaging, and it certainly kept my attention; it was a fast read. Still, I found myself appalled by the characters' actions; people made some of the dumbest decisions and had some of the worst motivations in this novel, from the "bad guy" to the Finches to Sophie's friends. This made some of the story difficult to believe and buy. There's nothing really bad about it, I just found myself annoyed with the characters and frustrated by the story.

I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.



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With a weight upon my chest and a ghost upon my back: THE GIRL BEFORE.

The Girl Before by J.P. Delaney

My rating: 3.5 of 5 stars


Two wounded women reeling from personal issues are looking for a new apartment. For Emma, she requires a safe place after being the victim of a break-in while her loyal boyfriend, Simon, was out. For Jane, it is a new place that holds no reminders of the baby she lost. For each woman, the house at One Folgate Street seems to offer exactly what they are looking for. It is designed by well-known architect, Edward Monkford, and comes with a set of rules created by the inscrutable man himself. In fact, to live at One Folgate Streets means signing off on over 200 rules, ranging from no books or personal mementos, to total tidiness, to agreeing to showing the house on architectural tours, to accepting to the intense technology that it comes with, including the house monitoring your well-being and moods. At first, the rules and clarity that come with One Folgate Street seem comforting to Emma and Jane. But as they spend more time in the house--and learn about its past, including its mysterious builder--they become terrifying and stifling.

THE GIRL BEFORE is a fascinating novel told solely from the point of view of Emma, One Folgate Street's previous tenant, and Jane, its current tenant. All activities are filtered through the lens of these two women. The novel effectively builds suspense with the parallel nature of the two women's stories, but it also can get a little repetitive at times (and sometimes a little confusing, as you have to remind yourself, mostly in the beginning, who is talking). The book starts off exciting, as you are drawn into both Emma and Jane's tales while they acclimate to the house and all the oddities it offers. The house itself almost becomes another character in the novel. It starts to drag a bit halfway through as you wonder what will happen in the next half (people living in a technologically advanced house can only be so exciting, right?). But then, suddenly, the novel takes some odd turns (there are some interesting sexual plot twists) and eventually grows quite interesting again with some psychological and thrilling revelations. Perhaps my favorite part about this book is that many of these developments truly surprised me, which isn't always easy to do in a thriller.

Overall, this is an interesting novel. It's certainly suspenseful and different. To enjoy it, you really have to set your disbelief aside at the actual conditions of living at One Folgate Street (no books, what?!) and accept that the two women are so broken (and perhaps broke, as the house apparently comes at a great discount) that they will go along with anything. It has a lot of varied plot threads and some of them aren't always fully explored or truly necessary, which can be a little frustrating. Still, the book truly surprised me with its twists and kept me entertained, with a deep desire to get to the end. Overall, 3.5+ stars.

I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.



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But my scars gonna shine brighter than your sun: THE YOU I'VE NEVER KNOWN.

The You I've Never Known by Ellen Hopkins

My rating: 3.5 of 5 stars


Ariel has spent her entire life drifting from place to place with her Dad, Mark. Abandoned by her Mom as a baby, Ariel and her father move often, leaving Ariel unable to form relationships and always feeling as if the latest place they touch down is just the next in a series of temporary stops. They've been living in Sonora long enough for Ariel to finish an entire year of school, and she's finally formed a few friendships. One of them is to her closest friend, Monica, to whom Ariel feels a deep friendship-- and attraction. Their friendship and potential relationship is complicated somewhat when Ariel meets Gabe, the nephew of her father's girlfriend, Zelda. Ariel is attracted to Gabe, too, and she isn't sure exactly what that means.

Meanwhile, Maya is trying to escape her hateful mother, and the only out she can see is Jason Ritter, an older man in the military. But now Maya is pregnant, and married life with Jason is turning out to be scary and lonely.

Told in both prose and verse, there's no doubt that Hopkins' story is often beautifully done. My biggest issue with the novel wasn't the book itself, but that the plot description reveals, in my opinion, a major spoiler that doesn't actually occur until past page 350. If you ask me, that's far too deep within the tale to reveal in the description, and I would have enjoyed figuring that twist out myself and getting there on my own. The story itself, as I mentioned, is told in various ways, and you need to be prepared for the verse, as it does take some getting used to. I haven't read many of Hopkins' books (in fact, Goodreads tells me I've just read Tilt, which I'll confess I don't recall at all), and I probably had to go at least 75 pages until I was sort of in the swing of the verse "thing." The book is told from both Ariel and Maya's point of view (though mostly Ariel) and most of Ariel's pieces are in verse.

So, combine the verse/prose aspect and the fact that I was constantly waiting for this plot twist to happen while reading, and it took a bit to get into the book. There's definitely a lot going on this novel, but it was nice that at least Ariel's sexuality wasn't always the main focus. It was also refreshing to find a bisexual teen heroine. Overall, the book seemed to handle it fairly well, too, without so much of the usual stereotyping you can find in other novels and/or the media. I think a teen struggling with similar issues could find some comfort in this book, and that's important. For me, I wasn't completely sure that all the threads of the book were truly fully formed. I'm not completely sure how to explain that fully; it's not that I expected resolution to everything, but there were some serious topics dealt with in in the novel (beyond Ariel's sexuality) and it sometimes felt like they all got glossed over or moved past rather quickly. Bisexuality, rape, abuse... those are serious topics, and I'm not sure they got the ultimate focus they always needed.

So, in the end, I find myself a bit stumped by THE YOU I'VE NEVER KNOWN. I was certainly intrigued by the book and enjoyed it. As a bisexual female, I greatly enjoyed the character of Ariel and welcomed finding her in literature. While parts of the book went on a bit for me (though perhaps that was the verse format, I'm not sure, or waiting for the aforementioned spoiler), I found it interesting. Still, in the end, something felt a tad off for me. However, much of the writing was lovely, and the storyline different and often engaging. Overall, I'd probably give this one 3.5 stars.

I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 01/24/2017.



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When this thing blows you'll just be rubble: FATAL.

Fatal by John Lescroart

My rating: 3 of 5 stars


Kate and her husband Ron, have a seemingly perfect life: happily married, two kids, etc. So Kate is thrown off by her attraction to another man, Peter Ash, when she meets him at a dinner party held by one of Ron's colleagues and his own wife. Peter himself is married, with twin sons. Unable to get Peter out her mind, Kate ignores the warnings of her friend Beth, and arranges an encounter. Shortly after that event, Kate and Beth are involved in a horrific terrorist attack, and it seems like nothing will ever be the same.

This was a slightly bizarre novel with an interesting premise: a sort of anti-adultery treatise, in a way. The novel confounded me slightly with its two different tracks: one of personal angst and murder (I don't think it's a spoiler to state that shortly after the terrorist attack, Peter Ash winds up murdered) and then the terrorist attack, which seems somewhat oddly inserted into the novel's plot. Kate's friend Beth is a police detective, and for me, Beth was driving force of the book (and seriously, practically the only sane person in this story). I enjoyed her character and while it's been noted that this was a standalone novel for Lescroart, I could see another book featuring her.

Beth is perplexed as she tries to solve Peter Ash's murder. For us: not really. I felt as if the suspect was fairly easily identifiable the whole time. Lescroart did a fairly good job as casting suspicions on someone else; at one point, I finally thought, oh, ok, maybe I really am wrong (but I wasn't). There's a whole host of characters in the novel and they are interesting, but not really as complex or intricate as Beth. Overall, I enjoyed this novel-- I haven't read anything by Lescroart since some of his early Dismas Hardy books ages ago-- but I didn't find it to have an amazing "wow" factor or anything. It was an interesting, if somewhat predictable thriller, with some strange plot points thrown in.

I received a copy of this novel from Netgalley and the publisher (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.



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Can't say I didn't see this ship about to sink: THE FIFTH LETTER.

The Fifth Letter by Nicola Moriarty

My rating: 2 of 5 stars


Joni, Eden, Deb, and Trina have been friends since high school, when a teacher grouped them together by their last names. However, as they age, it seems the women are growing apart. Desperate to keep her friends together, Joni books a vacation house for them by the ocean. It's been a yearly tradition for the group, and she's insistent they all keep it up. However, it becomes clear that the women are a little reluctant to gather together: three of them are mothers now, and many are busy with their careers and other worries. So they come up with an idea: they'll write anonymous letters on an old computer at the beach cottage, and read one a night during their vacation. But the game turns dark quickly, as the women struggle to guess who wrote what letter. Even worse, Joni discovers a "fifth letter" in the fireplace; partially burned, it appears to be filled with hate toward one of the women in the group (from another). The foursome is supposed to be the best of friends, but it appears it isn't so. Can they recover from this vacation? And who in the group wrote that awful letter?

I feel terrible, as I really enjoy the other Moriarty sisters (Liane Moriarty and Jaclyn Moriarty), but I just didn't care for this book at all. Throughout the entire novel, I never found myself able to care for these four women or their problems whatsoever. The premise of the book seemed utterly ridiculous: why on earth would a group of grown women write a bunch of letters like children and if they were such good friends, how could they know so little about each other? It was painful to read. Furthermore, the book itself was difficult to read. The book was set up in various ways: we had the current day thread at the beach cottage; we had threads in the past with the girls at school. Then, there's a thread where Joni is telling a priest (via confession) about what had happened at the cottage. Then we get pieces of the letters. Then we get snippets from the fifth letter. It was so utterly confusing that for parts of it, I couldn't tell who was talking, or what the dialogue related to, and it drove me insane.

Pieces of the women's problems were resolved far too easily, while others were blown far too out of proportion. Others were incredibly serious and just - ugh. When the big "reveal" happened, it made me cringe. I feel awful, but it almost felt like a bad imitation of Liane's book, Truly Madly Guilty. A bunch of angst leading to a big "reveal," which sort of leaves you feeling let down.

Overall, I have high admiration for the Moriarty sisters, and I truly feel bad that I didn't enjoy this book more. I just couldn't find any sympathy with the characters, and the way the novel was laid out irked me. I kept comparing it with another book where the women escape for a girls getaway: Girls' Weekend, which was such a more nuanced and enjoyable portrayal of some similar subjects. I would recommend picking up Achterberg's book instead.

I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.



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Maybe tomorrow will be better: THE WRONG SIDE OF GOODBYE.

The Wrong Side of Goodbye by Michael Connelly

My rating: 4.5 of 5 stars


Harry Bosch is retired from his days as a detective with the LAPD, but certainly not from his days investigating crime. Bosch is working for himself, as a private investigator on a referrals only basis, and he's also a reservist with a small police department with a limited budget in San Fernando Valley. When Bosch gets word that a new client, Whitney Vance, wants to hire him, he can't help but be intrigued. Vance is a billionaire and heir to a fortune via his family's company, Advance Engineering. The aging man wants Bosch to track down a supposed heir: when Vance was in college, he had a fling with a young Mexican woman, and believes she had a child. If so, somewhere out there could be a heir to Vance's vast fortune (besides his eager, greedy board). Vance swears Bosch to secrecy, as no one associated with Advance Engineering and the board would be too keen to hear about someone standing in the way of their potential fortune. Meanwhile, in his work at the police department, Bosch is helping his colleagues track down a serial rapist. The suspect seems to be getting more and more bold; can they stop him before he strikes again?

Picking up a Harry Bosch book is always like coming home again, and this one was no exception. Bosch is a well-loved, nuanced, and wonderful character. He is complex and well-written, and I will forever be saddened when Connelly stops writing about him, or Bosch decides to stop investigating crime. I sincerely love him dearly. This novel is Bosch and Connelly at their best: a well-plotted mystery novel backed by Bosch's backstory and ruminating. Bosch is amusing, stubborn, and familiar, and he's also wonderful at his job.

Connelly does an excellent job of telling the tale with Bosch's two disparate cases (Vance and the Screen Cutter rapist); neither seem to overshadow the other, and you don't get confused with both threads going on simultaneously. Both are interesting cases, and Bosch is torn finding time to devote to each, much as the reader is. The story features appearances from Bosch's daughter and Mickey Haller (Bosch's half-brother, and a key character in the Lincoln Lawyer series), which is always fun, too. I was very intrigued by both of Bosch's cases, and Connelly kept me guessing until the end. I find it amazing that he's managed to keep Bosch so relevant and in the game all this time, but I suppose that's a testament to Bosch's skill (and Connelly's).

Overall, this isn't some amazing beyond words mystery, but it's just so well-done, with its dual cases, and features such a wonderful character, that I really loved it. If you haven't read any of Connelly's books, I highly recommend them. I started at the beginning with the Bosch series and certainly didn't regret it. But you could always start with this one, too. 4.5 stars



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