More letters from home never arrive: CRUEL BEAUTIFUL WORLD.

Cruel Beautiful World by Caroline Leavitt

My rating: 4 of 5 stars


As young girls, Lucy and Caroline come into the care of the older Iris. The girls' parents had died, and they wind up living with Iris, who becomes a sort of adopted mother to the two sisters. Both Lucy and Charlotte are extremely close until high school, when they find themselves drifting apart. Studious Charlotte is focused on getting into college, where she hopes to study to become a vet. Lucy, however, can never quite seem to live up to her sister's academic shadow. That is until she meets a vibrant teacher, William, at her high school. Lucy falls fast for her older English teacher and suddenly finds herself running away to a remote area of Pennsylvania to start over with her new love. Iris and Charlotte, however, are devastated, and cannot give up their search for Lucy. Even worse, Lucy's life of promise and happiness with William may be falling short.

This book is not what I expected, but it was a wonderful (although sometimes haunting) tale. Leavitt creates nuanced, well-developed characters who jump off the page. The book has a poignant sadness that stays with you, even after you've turned the last page. Somehow, I inadvertently read this one directly after The Girls, with each tale being set in a similar timeframe, with mentions and allusions to the Manson murders, free love, etc. I actually preferred this novel and its intricate plot and characters, to whom I found myself growing quite attached. The story unfolds from the point of view of Lucy, Charlotte, and Iris, which allows us to get to know each of them. Each is different and beautiful in their own way.

Overall, I loved most of this book. It slowed for me about 3/4 through, but recovered by the end. Some of the characters' actions are frustrating, but it does not take away from its almost poetic nature. Definitely recommend.

I received a copy of this novel from the publisher and LibraryThing (thank you!).



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And it spreads just like a fire: THE GIRLS.

The Girls by Emma Cline

My rating: 3 of 5 stars


Evie is a listless teenager in California, drifting through life, when she spots a group of girls in the park one day. Evie is immediately captivated, especially by Suzanne, an older girl with long black hair. She soon becomes ensnared by the girls and drawn back to their ranch, where she meets their leader, Russell, a would-be musician who has an entire group under his thrall. While the ranch is decrepit, and its inhabitants often hungry, Evie finds it a welcome alternative to life at home with her mother, or her boring best friend friend. She also finds herself more and more enthralled with Suzanne. But as Evie gets drawn into the group, it's hard for her to see the darkness surrounding her new friends--and what it may lead to.

I tend to either read "It" books immediately, or shy away from them. I was hesitant to read this one for a while, but finally caved while on vacation. While I found it an interesting read, it didn't live up to the incredible hype that swirled around the novel. I found Evie a lackluster character--and while part of that is the point, and what allows her to be drawn into Russell and Suzanne's web, I just found myself lacking any empathy for her whatsoever. The story itself goes seemingly nowhere for a good 2/3 of the book, only picking up near the end (yet, Evie isn't really involved in the novel's major plot impetus - it's very strange).

The juxtaposition of Evie looking back on her life, telling the story of her teenage years is an interesting one, but we don't get much further development about her present life. Overall, I enjoyed Cline's writing style and pieces of the book, but was disappointed in the novel as a whole. I didn't care about the characters or much of the plot, nor did I find the story as captivating as I'd hoped, based on all the raving reviews. Still, it was a fairly quick and interesting read.



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Tuesday's Book Bag: New Releases for 9/20.

Thrice the Brinded Cat Hath Mew'd by Alan Bradley

My rating: 4 of 5 stars


Book 8 in Alan Bradley's wondrous series picks up with Flavia returning home from Canada--no longer in boarding school--and back home among her sisters, family servants, and faithful bike, Gladys. Unfortunately, upon returning home, she is met with the news that her father is gravely ill with pneumonia. Only Flavia's pesky cousin, Undine is around to greet her. Out and about in town, Flavia runs an errand and--in true Flavia fashion-- stumbles across the body of a dead man. He appears to be the local woodcarver, and Flavia finds him hanging upside down in his home. From there, Flavia's downtrodden spirits lift immediately, as there is nothing like a dead body to return her to her true self. She sets out to solve the case before her pal, Inspector Hewitt, can, but this case will offer plenty of twists and turns, even for our young sleuth.

This novel is immediately Flavia, from the start, like picking up with an old friend. The beginning finds Flavia feeling a little lonely and sorry for herself until finding a corpse, of course. With Flavia back from Canada, it's a return to Bradley's tried and true Flavia de Luce formula, but it's certainly not trite, or tired. While the plot is a bit twisty and keeps you guessing, as always, it's Flavia who is the true star. In this book, we see our heroine growing up a bit: not just in age, but in maturity. Thankfully, though, she's still our Flavia, with her feisty spirit and deep love of chemistry. Truly, she's just a dear character and Bradley is amazing in how he captures her voice so perfectly.

These novels never fail to disappoint -- this one, as well. I will continue to highly recommend this series. This can certainly be read as a standalone, but you would be doing yourself a disservice if you don't start at the beginning of Flavia's journey.

I received a copy of this novel from the publisher and Netgalley (thank you!); it's available for U.S. publication everywhere as of 9/20/16.



You can read my review of the previous Flavia novel, AS CHIMNEY SWEEPERS COME TO DUST, here.

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Tuesday's Book Bag: New Releases for 9/13.

A mixed bag out today! A sweeping, expansive novel from Ann Patchett and two YA novels featuring confused, high school age male narrators. More below:

In COMMONWEALTH, it's just a fairly regular day in Southern California: the day of young Franny Keating's christening party. When her father, Fix, opens the door, he's surprised to see Albert Cousins. Fix, a cop, doesn't associate much with the DAs on his beat, and he certainly didn't invite Bert. But Bert has shown up with a bottle of gin--looking to hide from his own wife and children--and he soon joins the party, making drinks with Fix's beautiful wife, Beverly. By the end of the evening, Bert and Beverly have kissed, triggering a chain of events that will alter the lives of all involved. This is an expansive book, covering the lives of the intertwined Cousins and Keating families in a series of almost interconnected stories. They are linked, of course, and form the framework of Packer's novel, but almost seem as if they could stand on their own. They are also set against the backdrop of another Commonwealth: when Franny, then in her twenties, meets famous author Leo Posen, she tells him the many stories of her misguided family. He spins them into the tale of his novel, forcing the family to face up to some of their most awful losses and decisions in the starkness of print. Some of the chapters of COMMONWEALTH aren't always particularly exciting, but they are poignant, and there is a deepness to them. They offer an amazing insight into these families-- an almost "behind the scenes" look at five or so decades of their lives. Overall, this is a lovely book, tender in many ways, and a little heartbreaking. It's not a page-turner, but it's beautiful and leaves you thinking. 4 stars

We shift gears to high school in IT LOOKS LIKE THIS, where Mike and his family have just moved from Wisconsin to Virginia for his father's new job. Mike isn't thrilled, as he's in high school, but the family is used to doing what Mike's overbearing father desires. Quiet Mike, who loves art more than sports, doesn't fit in well with his religious family, or with a lot of the boys at his school. Quickly, he finds himself being bullied by several kids at school and pressured by his father to join a school sports team. But Mike finds comfort when he meets Sean, another kid at school, and the two become fast friends. However, other people at school have an eye on the pair's friendship, too. This book is heartbreaking, lovely gem of a LGBT book. It's difficult to read: the dialogue is all jammed together (no quotation marks, for example) and there wasn't even a space between the start of a new section of thought. Once you get used to that, it's easier to read, and you get into the flow of Mike's thoughts. Tension builds slowly, as you learn more about Mike, his life, and his inner thoughts and desires. I wish this book could be standard reading for gay youth--and their parents. It's poignant and truthful, albeit it hurt my heart in many places. I don't typically seem to read a lot of YA novels with male narrators, but this is the second I've picked up recently, and it blew the other one out of the water. I quickly grew fond of Mike, whom I wanted to take in, and I loved his spunky younger sister, Toby. Mike's never-ending need for detail grows old at times (just get on with story already), but this is still a worthy read, and certainly a great tale for LGBT youth. It definitely affected me deeply. 4 stars

We remain in the torturous world of high school for THE BOY WHO KILLED GRANT PARKER, where Luke Grayson's life turns upside when he's sent to Ashland, Tennessee his senior year of high school to live with his father and stepmother. Luke's mother no longer wants to deal with his trouble-making ways and thinks his father, a Baptist preacher who has never played a role in Luke's life, can help straighten him out. But Luke's reputation comes with him to Ashland, where he stands out as the new kid from the big city. He's too progressive for this rural Tennessee town and rapidly becomes the target of the high school's golden boy, Grant Parker, who singles Luke out and makes his life miserable. But things change quickly after a confrontation between Luke and Grant goes awry and suddenly, overnight, life in Ashland changes dramatically for Luke. I wanted to like this book, but I just never connected with it, or Luke. Having grown up and lived in small towns, I understand how truly small and exclusive they can be. But this novel just fell flat for me. I was immediately bothered by the fact that Luke's mother shipped him off for his senior year to his extremely rigid (and awful) father, despite the fact that the his greatest transgressions seemed to be a couple of silly (and harmless) pranks at his old school. I never felt any sort of connection to Luke as a character, and truly, at points, I found reading his story a little painful and thought "blah blah blah" at huge sections of text. He's a passive character, without a lot of depth to him. In fact, the only character with any true depth to her was Luke's friend, Delilah and her storyline is the only one that seems to have any heft. But she often gets lost in the shuffle. 2 stars

I know that love don't end: IT LOOKS LIKE THIS.

It Looks Like This by Rafi Mittlefehldt

My rating: 4 of 5 stars


Mike and his family move from Wisconsin to Virginia for his father's new job. Mike isn't thrilled, as he's in high school, but the family is used to doing what Mike's overbearing father desires. Quiet Mike, who loves art more than sports, doesn't fit in well with his religious family, or with a lot of the boys at his school. Quickly, he finds himself being bullied by several kids at school and pressured by his father to join a school sports team. But Mike finds comfort when he meets Sean, another kid at school, and the two become fast friends. However, other people at school have an eye on the pair's friendship, too.

This book is heartbreaking in many ways, but hard to describe without completely ruining the entire plot. It's a lovely gem of a LGBT book. It's difficult to read: the dialogue is all jammed together (no quotation marks, for example) and in my ARC, there wasn't even a space between the start of a new section of thought. Once you get used to that, it's easier to read, and you get into the flow of Mike's thoughts. Tension builds slowly, as you learn more about Mike, his life, and his inner thoughts and desires.

I wish this book could be standard reading for gay youth--and their parents. It's poignant and truthful, albeit it hurt my heart in many places. I don't typically seem to read a lot of YA novels with male narrators, but this is the second I've picked up recently, and it blew the other one out of the water. I quickly grew fond of Mike, whom I wanted to take in, and I loved his spunky younger sister, Toby. Mike's never-ending need for detail grows old at times (just get on with story already), but this is still a worthy read, and certainly a great tale for LGBT youth. It definitely affected me deeply.

I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 9/13/2016.



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Like rings through an oak tree: COMMONWEALTH.

Commonwealth by Ann Patchett

My rating: 4 of 5 stars


It seems like a fairly regular day in Southern California: the day of young Franny Keating's christening party. When her father, Fix, opens the door, he's surprised to see Albert Cousins there. Fix, a cop, doesn't associate much with the DAs on his beat, and he certainly didn't invite Bert. But Bert has shown up with a bottle of gin--looking to hide from his own wife and children--and he soon joins the party, making drinks with Fix's beautiful wife, Beverly. By the end of the evening, Bert and Beverly have kissed, triggering a chain of events that will alter the lives of all involved.

This is an expansive book, covering the lives of the intertwined Cousins and Keating families in a series of almost interconnected stories. They are linked, of course, and form the framework of Packer's novel, but almost seem as if they could stand on their own. They are also set against the backdrop of another Commonwealth: when Franny, then in her twenties, meets famous author Leon Posen, she tells him the many stories of her misguided family. He spins them into the tale of his novel, Commonwealth, forcing the family to face up to some of their most awful losses and decisions in the starkness of print.

Some of the chapters of COMMONWEALTH aren't always particularly exciting, but they are poignant, and there is a deepness to them. They offer an amazing insight into these families-- an almost "behind the scenes" look at five or so decades of their lives. The varying viewpoints of the narrators helps as well, and you can watch a Cousin or Keating child age in just a couple of chapters. It's also interesting to watch the spouses--so changed by the affair--and how it's affected their lives.

Overall, this is a lovely book, tender in many ways, and a little heartbreaking. It's not a page-turner, but it's beautiful and leaves you thinking.

I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere on 9/13/2016.


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Tuesday's Book Bag: New Releases for 9/6.

September is clearly a good month for new books, and the 6th brings four--that's right, four--new novels! They are a mixed bag of stories and drama - check them out below:

In FAULTLINES, at 20, Jordy Cline's life should be just beginning. Instead, it seems as if he's looking at a long period in jail and a lifetime of guilt. It all begins when his mother, Sandy, receives the call every mother dreads: there's been a car accident. Jordy and his cousin, Travis, were thrown from the vehicle. Both boys are seriously injured and even worse, it looks like they were drinking. Local law enforcement seems to think Jordy was drinking and driving--a natural assumption given his history of underage drinking and Travis' usual role as the designated driver--but Jordy is insistent that he wasn't. Suddenly, Sandy finds herself fighting for her son's survival and dealing with her sister Jenna's anger over Jordy's role in the crash. This is an intricate and crazily plotted book, filled with emotional characters and various plot twists. Some of the twists are exciting and completely unexpected, making the story more than just a family drama and almost turning it into a thriller at some points. A few twists toward the end struck me as rather transparent and easily guessed. A lot of the plot points are a little outlandish and far-fetched, but it does make the book a fairly quick and exciting read. It's not exactly fun, as the subject matter is pretty heavy and horrible, dealing with the sort of topics that are hard to read as a parent. Overall, the story is an intriguing one, which will keep you guessing and reading. It speaks well to the legacy parents leave, both from a biological and environmental standpoint. It represents the power of the good ol' boy system of the South as well and is a strong tale depicting the bonds of loyalty, small town politics, and the power and pain of family. It's both emotional and enjoyable. There were a few nagging plot points that bugged me, but it was still a good, quick read. 3 stars

Next up, in LEAVE ME, Maribeth is an overworked mother of four-year-old twins. But Maribeth is so busy she doesn't even realize she's had a heart attack. Once out of the hospital, Maribeth is shocked to realize that her mother and husband seem clueless when it comes to taking care of her (and in many ways, the household). Maribeth feels overwhelmed and frustrated. Angry at her husband, Jason, she packs a bag and flees her husband and the twins, basically starting her life over in another city. Once there, Maribeth makes new friends and starts a search for her own birth mother. But obviously she has left behind unresolved issues in New York, such as her husband and family. (Minor issue, right?) There were honestly times reading this book that I felt my own heart hurting, both from Forman's realistic description of Maribeth's cardiac attack, as well as from the stressful scenario she's in. Forman does an excellent job of conveying the pressure Maribeth is under and the frustration she feels in her life--overwhelmed, alone, trapped, desperate. What mother hasn't felt that way at some point, and truly, what mother hasn't wanted to run away at times? My issue with this book is that Maribeth actually does run away. It's really hard to believe she'd actually leave her kids - not for a week or two - but for a good chunk of time (and taking a sizable chunk of her family's savings with her). But, while I really didn't agree with all of her choices (they didn't truly seem realistic), I have to admit, I found myself liking the book in spite of them. The life Maribeth creates for herself away from her family is unique and readable, and her world away is compelling. My only beef: should a woman really have to leave to try to get her spouse to appreciate all she does? I am not totally sure I agree with the message. Overall, this book is different. It's not your typical contemporary fiction, but it's certainly worth reading. 3.5 stars (and leaves you thinking).

In the romance, WHO'S THAT GIRL?, Edie's life is going along just fine, she supposes. Until the fateful day of Jack and Charlotte's wedding, when everything changes. Edie is caught in a particular transgression with the groom, Jack, and immediately everyone blames her, without knowing the full story. Since Jack, Charlotte, and Edie work together, Edie finds life at work unbearable and winds up taking an assignment from her boss in her hometown of Nottingham. There she meets famous actor (think "Game of Thrones" famous) Elliot Owen, for whom Edie must ghost write his autobiography. But things only seem to go from bad to worse, as Elliot seems a pompous, self-absorbed actor and Edie's sister and father don't exactly seem thrilled she's living back home again. Not to mention she can't show her face on social media (or in public) due to Charlotte's revengeful friends, who all hate her... will things ever go right for Edie again? Edie's quest for love is just one of the book's central themes. In many ways, she's on a journey to find herself, and only in doing so, can find love. My biggest beef was how the adults in this book acted like bullying schoolchildren. So, Edie's transgression is really so bad that she's completely ostracized and the subject of intense in-life and cyber shaming and scrutiny? It seems like high school gone really wrong. Her "friend" Louis is just awful; are people really like this?! It's a commentary on social media and cyber bullying, perhaps, but also just terrible and hard to believe at times. These are grown adults! I found myself a little too appalled and couldn't believe grown people would act this way. It's really sad if they do, honestly... However, once you get further past the wedding day and more into Nottingham, the novel picks up. Edie isn't always the most enjoyable of characters, but I did like her, as I liked Elliot. Parts of the book are just downright funny; I actually found myself laughing out loud. Edie's friends from school are particularly hilarious and a good fit for her. Her boss, too, even if he falls a bit on the dramatic side. Overall, while I found some of the characters and plot points frustrating on this one, much of it was balanced out by the charm and humor of the novel. 3.5 stars.

In our final release--also with "girl" in the title--we switch to a thriller, and in my opinion, the best of the bunch: THE PERFECT GIRL. Zoe Maisey is a genius: a piano prodigy with an amazingly high IQ. She is also a killer. When she was fourteen, Zoe was responsible for the death of three fellow teens. Now, she and her mother have started over (their "Second Chance Life") and Zoe is playing her first concert in her new life, along with her stepbrother, Lucas. But her performance is disrupted and Zoe flees the concert hall. And, by the end of the night, Zoe's mother is dead. Zoe is alone, forced to confront a new world without her protector. Plus, who is responsible for her mother's death? This book grabbed me immediately; it sucks you in from the start and doesn't let you go until it finishes, when you're exhilarated and exhausted. It's a fascinating, easy-to-read thriller with short chapters that tell us about the events surrounding the timeframe after Zoe's concert, but also going back into the past via flashbacks from the characters. We hear from Zoe, her aunt, Tessa, Tessa's husband, Richard, and Sam, Zoe's lawyer from her "previous" life. Their narratives weave flawlessly into a tense and sometimes psychologically creepy tale that has you sitting spellbound, turning pages frantically, wanting to know what happens. In theory, the action happens over a very short period of time, as Maria's killer is unveiled, but the ability to go into the past with the characters extends the time and makes you tensely await each action. Macmillan's characters are nuanced and deep--each with their own quirks, flaws, and motivations. Beyond the actual plotline of murder, there is a deep thread of discord and familial drama and angst running among our characters, who are certainly a flawed bunch. The book makes you question and ponder many things, including the topics of forgiveness, loyalty, marriage, and what really makes a family. I won't forget either the exciting story or the characters themselves for some time. Overall, while there were certainly a few things to quibble with with this one, I thoroughly enjoyed it. It was a tense but enjoyable thriller to escape into and certainly well worth the thread. 4 stars

A great group of books to start out the month!