This world is filled with discolored lies: THE SLEEPWALKER.

The Sleepwalker by Chris Bohjalian

My rating: 3 of 5 stars


Lianna Ahlberg has always known that her mother, Annalee, is a sleepwalker. So when Annalee goes missing, her family immediately assumes she has vanished while sleepwalking. After all, Lianna once pulled her naked mother off a bridge near the river by their home. A scrap of her nightshirt is found near that same river, and everyone assumes the worst. College-aged Lianna, her twelve-year-old sister, Paige, and their father, Warren, must grapple with a life without this loving mother and wife. Still, the police, including detective Gavin Rikert, continue to probe into Annalee's disappearance. And so does her family. Lianna finds herself learning more about her mother, her parents' marriage, and her family's history of sleepwalking. She also finds herself drawn to Gavin, who knew her mother before she disappeared. Where is Annalee, or her body? And what really happened that night?

This story is almost a treatise in the facts of sleepwalking, or parasomnia. It is told from Lianna's point of view, but interspersed with odd snippets from a journal (or something, we aren't sure) with facts, thoughts, and ruminations about sleepwalking. It's also a very (very) slow-building mystery as we discover what happened to Annalee Ahlberg (as Lianna calls her repeatedly throughout the novel - something that bothered me. Just call her mom!). The novel certainly has some intrigue, but man, it's a slow buildup, and while I liked Lianna and Paige, I wasn't fully part of their world, and I didn't find myself rushing to read this book; it took me five or so days to finish it, which is a lot for me. Now I read it over the holidays, and I wasn't feeling well (not its fault), but still.

Furthermore, the book details a lot of odd plot threads that never seem to fully connect. I often found myself wondering if it was interesting, or just dragging on. Having Lianna tell the story as she's looking back in time was also an odd storytelling device, as it just allowed for weird, pointless inserts (e.g., ruminating about how she never used condoms).

By the time we get to the ending, it is somewhat surprising, but almost a little frustrating. So much buildup for very little resolution, and then the novel is over. In a way, I feel as if Bohjalian suffered (for me) from his greatness; I've loved so many of his other novels and characters that this one just fell a bit flat. It was interesting premise, and not a bad read, but certainly not my favorite of his.

I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 1/10/2017.



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Tuesday's Book Bag: New Releases for 12/27.

It's time for the last book bag of the year - how is that even possible?! It's an eclectic mix of novels, so let's get to it!

In Camilla Grebe's thriller, THE ICE BENEATH HER, a young woman is found brutally beheaded in the home of a famous businessman, Jesper Orre. The scene is chaotic and bloody and to Detective Peter Lindgren, it is eerily reminiscent of a case he and his partner, Manfred Olsson, worked 10 years ago where a male immigrant was also found beheaded. That case was never solved. Here, in present day, Jesper is mysteriously missing, and Peter and Manfred have no idea about the murdered woman's identity. So they turn to Hanne, a behavioral police consultant, who helped the police with their case ten years ago. Cut to two months earlier, where young shop worker Emma receives a marriage proposal from Jesper Orre, the enigmatic CEO of the clothing store where she works. Jesper wants to keep their relationship a secret: he's been hit hard lately by the press. Emma complies, but when Jesper never shows up for their engagement dinner, she's befuddled. As time passes, Jesper doesn't respond to Emma's texts or calls, and she becomes increasingly enraged. This was an intriguing Swedish thriller. The beginning half to three fourths of the novel kept me guessing and rather engaged. I was truly stumped and trying to figure out exactly what was happening (which doesn't always occur for me). For me, one of the hardest things with this particular novel was that I just didn't really connect or empathize with its main characters. Peter was pretty much an empty shell and not at all sympathetic. Emma was a tough one to read and to engage with. Hanne was probably my favorite, but she didn't get a lot of "air" time, so to speak. Overall, this was an interesting thriller, and I really did find the plot intriguing and well thought out, for the most part. I enjoyed reading the portions where I was scratching my head, trying to figure out how everyone was connected. It was a little less enjoyable once I deduced most of it, and I wish I had related to the characters better, or understood how their backstories were woven in to the fabric of the actual mystery. 3 stars

I found the next thriller from today's bunch a bit more tantalizing. (Isn't that a fun word?) In THE TWILIGHT WIFE, by A.J. Banner, Kyra Winthrop and her husband, Jacob, are headed to live on a remote island (in the house where Jacob grew up) to get away from it all. Kyra recently suffered a head injury in a diving accident; she hit her head on a rock and while Jacob saved her, she cannot remember the past four years of her life and is having trouble with her current ability to retain things. Kyra and Jacob hope time away, in a quiet place, will let Kyra--and her memory--heal. But once on the island, Kyra begins to remember more and more. She has no one to rely on but Jacob, who tells her much of what she remembers are only dreams. But Kyra is convinced it's more. And what about the shadowy third figure she continually recalls from their diving accident? Kyra isn't sure who to trust, even herself, as she tries to unfold her past and recall not only her accident, but who she has been for the past four years. This was a fascinating book that really took the premise of the "unreliable" narrator to a whole new level. What I enjoyed the most is that we learned the bits and pieces about Kyra's life, and who she was, just as she did. This made the novel very suspenseful and helped make up for any points where it seemed a little unbelievable or where the story felt a bit flat. I found the book captivating and basically read the second half in one sitting: it's a very fast read, and you become easily drawn into Kyra's world. The ending is a little easy and pat, but I still enjoyed watching all the pieces come together (even if I'd guessed some of them already). The novel really truly does a masterful job at creating intrigue into Kyra's past and the various parts of her life, and how she has arrived on this remote island with Jacob. It's a little eerie, a little creepy, and a little haunting. It was sort of a fun version of a Lifetime movie--one that had me hooked and enjoying the plot, versus rolling my eyes and changing the channel--and because I so enjoyed seeing everything come together and racing through the end of the book, it pushed my rating up to 4 stars. If you're looking for a quick suspense read, it's definitely worth picking this one up.

Moving away from mysteries and thrillers, our last book of the group is AMY POEPPEL's lively SMALL ADMISSIONS. In this novel, Kate Pearson is going through a rough time. She's been dumped by Robert, her incredibly handsome French boyfriend, and she turned down a spot in her grad school program, so instead of living a dream life in Paris, she's living on the couch, barely able to wash her own hair. Her friend Chloe feels responsible (Robert is her cousin, after all), her friend Vicki is just annoyed (Vicki has no patience for wallowing), and Kate's older sister Angela just wants to fix everything. She connects Kate to a lead for an interview at the admissions department at the Hudson Day School. Surprising everyone, Kate gets the job, and suddenly has to get her life together. There's no time for self-pity during admissions season, after all. Indeed, Kate finds herself drawn to her job, her new colleagues, and the various children she meets while at work. And while Kate's working non-stop, her friends are busy falling in love, feeling guilty about their role in Kate's earlier breakdown regarding Robert, and generally making a mess of things. Will Kate make her own mess at the new admissions gig as well, or is this the fresh chance she needed? I am torn somewhat on my thoughts for this book. It starts off quite witty and drew me in immediately. It's told from a multitude of perspectives, including Kate's friends (Chloe and Vicki), her sister (Angela) and Kate, and Kate's new boss, Henry. It's also interspersed with tales of several children trying to get into private school, along with the perspectives of their parents. There's definitely some nuance and depth there, but sometimes it's A LOT. A lot of characters, a lot of jumping of back and forth. I won't lie: Kate's friends certainly annoyed me at times. The side show with them can be humorous, but often just irritating. I found myself wanting more Kate. The problem with all the jumping around is that I didn't really get to know the characters as much as I wanted, which was a shame, because they were fascinating. Poeppel has done an excellent job of creating real, flawed characters, and I just wish they all received a little more face-time. Still, don't think I didn't enjoy the book, because I did. There are some wise and wonderful moments and some instances where I found myself laughing out loud. Kate is endearing, and you cannot help but rooting for her character. This book is redeemed by her and her journey. She is an inspiration. Because of her and my various feelings for this novel, my final rating falls at 3.75 stars.

Look for the next book bag in 2017 - wow! Time flies!

I feel like I've drowned, gonna head uptown: THE MOTHERS.

The Mothers by Brit Bennett

My rating: 3 of 5 stars


Seventeen-year-old Nadia Turner is a beautiful high school senior. An intelligent girl, she's college bound. But Nadia is also reeling from the suicide of her mother and trying to make sense of a life that includes just her and her taciturn Marine father. Nadia founds herself drawn to Luke Sheppard, the son of the Pastor of the Upper Room, the church of her African American community. Twenty-one, Luke is a former football star who was derailed by injury in college. Now working at a local restaurant, he and Nadia embark on a secret romance, and Nadia winds up pregnant. Not ready to have a child, she chooses to have an abortion. But Nadia is unaware of the far reaching impact of her decision and how it will affect Luke, herself, and Nadia's best friend, Aubrey.

I'm a strange person who is often wary of reading hyped books, so I put off reading this novel for a while. And I certainly did enjoy it; I can't say that I didn't. I basically read it in one day, and I was very much drawn into the story. While Bennett focuses her story on Nadia, Luke, and Aubrey, she also employs a "Greek chorus" of sorts, composed of "the mothers"--the female elders from the church--who tell the story of Nadia from their third person point of view. It's a different sort of method to employ, but Bennett pulls it off. Still, for me, I found a lot of this novel predictable, and I never really became completely attached to any of the characters. What I did enjoy is how much of the tale is rooted in the bits of life that can drag us all down. It some ways, it very well details the mundane aspects of life - making them seem interesting and nuanced. We basically see the entire span of Nadia's life, which was compelling. However, while there is a depth and message to some of Bennett's story, I can't see it sticking with me for the long-term.

Overall, this is well-written novel and certainly worth picking up. Did I find it worth all the hype? Probably not. But I'm no doubt a bit more cynical than most. It's still an intriguing story that I enjoyed reading.



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Save your diamonds and your furs, she's not your ordinary girl: UNDER ROSE-TAINTED SKIES.

Under Rose-Tainted Skies by Louise Gornall

My rating: 3.5 of 5 stars


Norah is a mentally ill teen struggling with agoraphobia and OCD. She lives with her mom and hasn't attended school in over four years -- in fact, she really hasn't had what society would deem a "normal" outing in that time. Her interactions are with her mom, her therapist, and the online world: watching her former friends live their lives via social media. When a new boy moves in next door, Norah doesn't expect much to change. But when Luke catches Norah trying to fish in groceries left outside on her porch, he helps her. The two slowly begin to interact, and a friendship blossoms. Still, despite the movie "dates" they have at Norah's house and their many chats, Norah is trapped in her own insecurities and fears: Luke deserves a "normal" girl, who can go outside to parties, and who isn't too scared of germs to kiss. What does the future hold in store for Norah and Luke?

This was a lyrical novel offering a rather unflinching portrait of mental illness. (I must point out up front that there's a self-harm/cutting trigger.) The writing is beautiful, almost falling over the line of too flowery at times. Norah is an engaging heroine: a real person living her life with mental illness. The novel truly tries to portray her OCD and agoraphobia in a real (yet humorous at times - it's not just as if you're reading a medical manual) manner. There are some incredibly important passages in this book about how, while Norah may not look sick or mentally ill, she is. I enjoyed her character immensely.

Unfortunately, some of my love of Norah was diminished by slightly unrealistic and odd plotlines. Maybe it's just me, but I was immensely bothered by little things - Luke's dad getting a job at the TSA for 8 weeks (unless that was a long time ago, basically impossible in the security clearance era). In turn, Norah's mom undergoes a hospital stay that seems oddly inserted; further, if the family has money, why is poor, scared Norah forced to stay alone for huge chunks of time without any assistance or company? Luke also comes across as too good to be true sometimes, making me question his character, even when I wanted to buy into the love story. Finally, the ending hinges on a weird twist and seemed to tie things up a little too easily for how strongly the book was presenting Norah's illness throughout.

The angsty teen love genre is certainly in full swing lately and adding in mental illness is popular as well (I think Everything, Everything is my favorite, where it worked so beautifully). Still, I certainly wouldn't not recommend this novel. It's well-written, portrays its mental illnesses very well, and the character of Norah is worth the read alone. There are some flaws, yes, but I did enjoy the book overall. 3.5 stars.

I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available as of 01/03/2017.


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I say fate should not tempt me: TALKING AS FAST AS I CAN: FROM GILMORE GIRLS TO GILMORE GIRLS (AND EVERYTHING IN BETWEEN).

Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls by Lauren Graham

My rating: 4 of 5 stars


Lauren Graham's first nonfiction work is a series of stories and essays covering her thoughts on her time on Gilmore Girls (both the old show and the new Netflix series), her childhood, breaking into acting, Parenthood, and more. It's told in Graham's unique, humorous voice, and it's just a fun, witty look at her life and what it was like to play Lorelai Gilmore (twice).

I've read a spate of celebrity memoirs over the years and always felt a tad let down. Of late, I've read Anna Kendrick's and Carrie Fisher's latest. I enjoyed them, but they just didn't completely fit the bill for me. (Is that the phrase? I don't know. This is why I'll never get my own memoir.) But Graham's book was really fun and a step above. I know it won't be that way for everyone. And I'm not just completely swayed by my absolute love for both Lauren and her characters (both Lorelai and Sarah Braverman), because I also love Anna Kendrick, Tina Fey, etc, and didn't adore their memoirs.

Graham's book is filled with fun observations about her work over the years, particularly on Gilmore Girls. I could have read about 100,000 more of her perceptions. Some of them are so unfathomable because they counteract the completely realistic portrayal of the characters on the show. But they are insightful and intriguing. Graham reminisces about her time on the actual show -- a lot of it reinforced by going back and watching the episodes (something she does reluctantly, as she hates watching herself on film). She admits that she doesn't remember a lot about that time without the help of watching the show. I've read a lot of reviews that her insights about that time on the show are slim, and it's true, but I still found them delightful and entertaining. Since she doesn't remember much otherwise, I'd rather have these tidbits than nothing. Plus, there's more to the book than just those memories. (Still, can we all just petition Lauren Graham to keep a diary for the rest of her life going forward?)

While reading the book, it's kind of crazy to realize how much can change in eight years -- between the end of Gilmore Girls and the start of the reunion show on Netflix. Graham points that out too, in the humorous way that only she can pull off. The layout of her book works, and I liked all the pictures she interspersed throughout. She's a strong writer, and the little life lessons at the end of each chapter do not seem too forced. We hear about her childhood, her relationship with Peter Krause, and Graham's aversion to technology. What I enjoyed is that Graham comes across as both believable and appreciative of her fame (unlike some memoirs I've read lately).

Finally, Graham kept a journal during her time on the Netflix revival of Gilmore Girls, so we get a little more insight into that show. My favorites were some of the guest characters, how she had no idea about the four words controversy all these years, and her actual thoughts on those infamous four words. Overall, sure, this book is a little light. But it still spans a lot of Graham's life and I felt like a learned a decent amount about her, considering she's such a private person (something she repeatedly mentions). She's a fun and humorous woman, and I gained some insights about all the various versions of Gilmore Girls I would have never had before. I read this book in basically one day and thoroughly loved it. This book may not have the same impact on someone who isn't a Graham/Gilmore Girls/Parenthood fan, but if you are, it's a fun, quick read.



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On the longest night of the year: SOLO.

Solo by Jill Mansell

My rating: 2 of 5 stars


Tessa Duvall is an independent artist, who depends on no one but herself. It doesn't matter that she's barely scraping by: she has her pride. When Tessa reluctantly agrees to accompany her best friend, Holly, to a party at the ritzy hotel where Holly works, she isn't expecting much. Tessa isn't one for the lavish affairs that take place at the Grange--a hotel owned by the two incredibly wealthy Monahan brothers. That night, however, Tessa meets Ross Monahan, a renowned playboy. The two have a one-night-stand and Tessa doesn't think much of it: until she realizes she's pregnant. Meanwhile, Holly, spends her entire life throwing herself at Ross' brother, Max, but Max doesn't give her the time of day.

So, while this is a romance, and we're sort of all supposed to know how it ends up, we--as readers--are also supposed to enjoy getting there. It's like the cheesy Christmas movies I've been enjoying during the holiday season. Sure, you know immediately how they will end, but you should like watching the lovelorn workaholic and the handsome Christmas tree farmer fall in love nonetheless. Alas, it just didn't happen for me in this one. The plot was enjoyable at first, but then it just seemed like the same things kept happening over and over. And over. Pregnancies! Weeping! Running away! Angst! Some of the plot twists were just so strange and seemed inserted to keep the book going, but it didn't need to keep going, because it was *lasting forever.*

The majority of the characters annoyed me for most of the novel. Tessa, our supposedly independent heroine, spends a decent chunk of the novel running from her issues. And while I suppose that meant she wasn't running into Ross' arms, it was irritating nonetheless. Ross seemed to just be a cad, and I honestly didn't blame Tessa for avoiding him. The supporting cast was more enjoyable, but after a while, the book seemed bogged down by their own endless problems and "will they or won't they" issues of their own, along with a lot of plot devoted to Ross' exploits. After a while, I really didn't care who ended up with whom, I just wanted it all to be over. I smiled a few times and laughed a bit (Holly is a trip) but overall, this one just irritated me.

I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.



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Why do we hurtle ourselves through every inch of time and space: THE PRINCESS DIARIST.

The Princess Diarist by Carrie Fisher

My rating: 2.5 of 5 stars


Carrie Fisher's latest memoir details a behind the scenes look of the first Star Wars film. Motivated by the recent discovery of the journals she wrote while filming Star Wars in the late 1970s, Fisher discusses her naive nineteen-year-old self: not yet famous (though with famous parents) and unprepared for the juggernaut that would become the Star Wars franchise. She also covers her now famous co-star, Harrison Ford, and their relationship during the three months of filming. Fisher presents excerpts from her discovered journals and ponders on her life and the fame and notoriety that playing Princess Leia has brought her.

I am new to the Star Wars fandom, having only recently discovered the films myself in the past two years or so. My four-year-old daughters love them (and Leia), so I was intrigued by the idea of Fisher's memoir. While I like the films, I don't consider myself a fanatic by any stretch of the imagination. Still, I was interested in hearing some behind the scenes tidbits about filming. And Fisher starts out with such facts, explaining how an early scene was re-written due to the physical limitations of Peter Mayhew, who played Chewbacca. It's that sort of information that I find fascinating--and imagine other Star Wars fans would as well.

And, I won't lie, I was also fascinated by Fisher's reported relationship with Harrison Ford, who is about 15 years her senior (and was married while they were filming). Her portrayal of Harrison in the book seems spot on and is actually quite humorous at times. Unfortunately, her actual detail of the relationship is scant at best, and we really don't get much insight into their romance. What we do get is a lot of particulars about Fisher's own insecurities about herself, her body, her acting, etc.

She includes actual excerpts of the journals she found in the middle of the book, and I confess, I eventually started skimming them, because they were just agony to read. I can understand how they resonate from the perspective of a lovestruck teenager (because, truly, she was just that at the time), but so many years later, they just seem like a lot of bad poetry and ramblings that make no sense out of context. And beyond a few stories about Harrison, we really get nothing in the book that explains them, which is unfortunate, as Fisher seems witty and interesting (albeit insecure, but hey, so am I). I understand her angst from the journals, I really do, but I'm not honestly sure I wanted to read it in such form.

Plus, after that section of the book, we move on to Fisher discussing her fans and how "being Leia" has affected her life. And, again, I get it: we all forget how no one expected Star Wars to be so big. You wouldn't at nineteen realize what you were getting into, and I'm sure this character has absorbed much of her identity. And maybe it was reading this on the heel of Anna Kendrick's memoir, but I can only take so much of celebrities complaining about their fame and lives. The second half of Fisher's book, basically, is her capturing "conversations" with awestruck fans explaining how much Leia and Star Wars meant to them. But, really, it's mocking them and illustrating how tiresome the "lap dance" (her words) of signing autographs and appearing at various conventions can be. But, you know, as she states, it's worth it for the money. You can't help but feel a little offended on the part of these devoted, crazy fans, and a little less sorry for Fisher, even if she was not included on merchandising shares for Star Wars.

Sigh. Overall, I'm a bit conflicted on this one. Bits and pieces were very interesting. But I would have enjoyed hearing more about the actual set and her interactions with the other actors beyond Harrison Ford. While I also didn't mind hearing about Fisher's impressions of how Leia impacted her life, the fandom sections just rubbed me the wrong way. 2.5 stars.



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Could it be true that I am just hiding: THE TWILIGHT WIFE

The Twilight Wife by A.J. Banner

My rating: 4 of 5 stars


Kyra Winthrop and her husband, Jacob, are headed to live on a remote island (in the house where Jacob grew up) to get away from it all. Kyra recently suffered a head injury in a diving accident; she hit her head on a rock and while Jacob saved her, she cannot remember the past four years of her life and is having trouble with her current ability to retain things. Kyra and Jacob hope time away, in a quiet place, will let Kyra--and her memory--heal. But once on the island, Kyra begins to remember more and more. About the accident and about her past. She has no one to rely on but Jacob, who tells her much of what she remembers are only dreams. But Kyra is convinced it's more. And what about the shadowy third figure she continually recalls from their diving accident? Kyra isn't sure who to trust, even herself, as she tries to unfold her past and recall not only her accident, but who she has been for the past four years.

This was a fascinating book that really took the premise of the "unreliable" narrator to a whole new level. What I enjoyed the most is that we learned the bits and pieces about Kyra's life, and who she was, just as she did. This made the novel very suspenseful and helped make up for any points where it seemed a little unbelievable (e.g., only forgetting exactly these 4 crucial years, no Internet on the island except at their home, etc.), or where the story felt a bit flat. Kyra is our main character, and she's interesting and complicated, with her memory loss and unknown past. She's truly trying to find out who she is. The others in the novel, mainly Jacob and a few island residents, aren't exactly characters you form an attachment to. Still, I found the book captivating and basically read the second half in one sitting: it's a very fast read, and you become easily drawn into Kyra's world.

I found the ending to be a little easy and pat, but I still enjoyed watching all the pieces come together (even if I'd guessed some of them already). The novel really truly does a masterful job at creating intrigue into Kyra's past and the various parts of her life, and how she has arrived on this remote island with Jacob (don't want to give anything away). It's a little eerie, a little creepy, and a little haunting. It was sort of a fun version of a Lifetime movie--one that had me hooked and enjoying the plot, versus rolling my eyes and changing the channel--and because I so enjoyed seeing everything come together and racing through the end of the book, it pushed my rating up to 4 stars. If you're looking for a quick suspense read, it's definitely worth picking this one up.

I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 12/27/2016.



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I'm playing it cool like a lovestruck girl from my old high school: SCRAPPY LITTLE NOBODY.

Scrappy Little Nobody by Anna Kendrick

My rating: 3 of 5 stars


Anna Kendrick has been acting (and singing) since childhood, and her autobiography chronicles her growth as an actress and person, as told in little snippets and essays. Grouped in assorted themes, we hear from various stages of Anna's life, spanning her childhood to present day, and learn how Anna, a tiny scrappy kid, became a famous, Oscar-nominated actress. The book touches on her fame, as well as her personal thoughts and feelings.

I've always enjoyed Kendrick and have seen several of her films (and heard her sing about a million times, thanks to my young children and the popularity of the film, Trolls) but didn't know a lot about her early career. Her autobiography does a good job of filling in some of the gaps of Anna's childhood career (working on Broadway at twelve - who knew?!), but isn't told in any chronological order, so we don't get a sense of any real span of her career from Point A to B. Most of the book is told in short little bits. Many of them are quite funny stories, and there are some truly laugh out loud moments. In many cases, Kendrick is a very relatable person, who seems like the type of friend you'd like to hang out with. At other points, she seemed a bit whiny, and for me, the book spent too much time with her protesting about some of the travails of being in the celebrity industry. I can only take so much "woe is me" from famous people who write books about their lives.

The book is on more solid ground when we're reading about Anna's early life, where you gain a true admiration for her talent, and with her silly and snarky stories about her misanthropic personality (misanthropes unite!). Still, the jumping back and forth in time makes it hard to get a true trace on the arc of her life at times, and beyond some of the complaining and expounding on the travails of award shows, press junkets, and the like, there wasn't as much about her post-fame life as I was interested in.

If you like Kendrick's films, or her twitter feed, you'll probably enjoy the book and its organization, even if you find yourself wishing for a little more at the end. She's led an interesting life so far, and I'm sure another autobiography down the road would be quite intriguing.



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After all this starting over: SMALL ADMISSIONS.

Small Admissions by Amy Poeppel

My rating: 3.75 of 5 stars


Kate Pearson is going through a rough time. She's been dumped by Robert, her incredibly handsome French boyfriend, and she turned down a spot in her grad school program, so instead of living a dream life in Paris, she's living on the couch, barely able to wash her own hair. Her friend Chloe feels responsible (Robert is her cousin, after all), her friend Vicki is just annoyed (Vicki has no patience for wallowing), and Kate's older sister Angela just wants to fix everything. She connects Kate to a lead for an interview at the admissions department at the Hudson Day School. Surprising everyone, Kate gets the job, and suddenly has to get her life together. There's no time for self-pity during admissions season, after all. Indeed, Kate finds herself drawn to her job, her new colleagues, and the various children she meets while at work. And while Kate's working non-stop, her friends are busy falling in love, feeling guilty about their role in Kate's earlier breakdown regarding Robert, and generally making a mess of things. Will Kate make her own mess at the new admissions gig as well, or is this the fresh chance she needed?

I am torn somewhat on my thoughts for this book. It starts off quite witty and drew me in immediately. It's told from a multitude of perspectives, including Kate's friends (Chloe and Vicki), her sister (Angela) and Kate, and Kate's new boss, Henry. It's also interspersed with tales of several children trying to get into private school, along with the perspectives of their parents. There's definitely some nuance and depth there, but sometimes it's A LOT. A lot of characters, a lot of jumping of back and forth. I won't lie: Kate's friends certainly annoyed me at times. The side show with them can be humorous, but often just irritating. I found myself wanting more Kate.

The problem with all the jumping around is that I didn't really get to know the characters as much as I wanted, which was a shame, because they were fascinating. Kate, Chloe, Angela, Henry -- they were intriguing and, when featured, seemed real, even if Angela was driving us crazy meddling into Kate's life, as was Chloe with her never-ending guilt over her supposed role in Kate's breakdown. Poeppel has done an excellent job of creating real, flawed characters, and I just wish they all received a little more face-time. The snippets from the kids (and parents) applying for school are great, too, but it's hard not to see them sometimes as a detraction from our main characters, especially a side plot with two fervent (and delusional) parents.

Still, don't think I didn't enjoy the book, because I did. There are some wise and wonderful moments and some instances where I found myself laughing out loud. Kate is endearing, and you cannot help but rooting for her character. This book is redeemed by her and her journey. She is an inspiration. Because of her and my various feelings for this novel, my final rating falls at 3.75 stars.

I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 12/27/2016.





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